film and animation – Page 5 – Everything is Oll Korrect!

Poems in Motion: Your Name and 5 Centimetres per Second

Posted on 7 December 2017 by Richard Carroll

Those who care about spoilers should note that I’ll be discussing the endings and several plot points of both Your Name and 5 Centimetres per Second. I generally don’t care about spoilers, but will say that Your Name is more enjoyable if you don’t know whether it has a happy ending or not (and remember, Shinkai Makoto isn’t afraid of downers) or the twist partway through. If you just want a recommendation, both are worth watching, 5cm especially.

There’s been a ton of hype over Shinkai Makoto’s most recent film, Your Name, ever since its release last year. I saw it a few days ago, and though I don’t think it lives up to the hype I enjoyed it well enough and would even say it’s Shinkai’s best movie since 5 Centimetres per Second. Thinking about the movie, though, I couldn’t help comparing it to 5cm. On the surface, they don’t seem very comparable; 5cm is a very grounded movie, and rather minimalist in its plot and characterisation, whereas Your Name falls firmly into the speculative fiction genre, and though the plot isn’t complex compared to many SF stories, 5cm could be adequately summarised in a few sentences whereas this needs quite a bit more space to explain.…

A Short Review of The Last Unicorn

Posted on 24 September 2017 by Richard Carroll

After watching The Hobbit, I thought it would be worth watching some more of Rankin/Bass’s films, and initially planned on moving on to The Return of the King next (on my own schedule, which some would call extremely slow but which I prefer to think of as simply a stately pace). At a friend’s insistence, though, I skipped ahead a bit and watched The Last Unicorn, their adaptation of Peter Beagle’s novel of the same title from 1982. Since a couple of people have expressed interest in hearing about it, I figured I’d go ahead and share a few brief thoughts on the movie here.

First, the film has a mythic feeling to it, which I appreciate. The movie opens with moving the camera through a dense forest, and the opening credits are done in a style that mimics illuminated manuscripts, in a manner that reminds me of some of Disney’s “storybook openings,” like Sleeping Beauty or Sword in the Stone, or a less elaborate version of the opening myth section of Watership Down. You can take a look for yourself on YouTube. Two hunters complain of not finding any game, and the older of the two surmises that it must be because of a unicorn’s presence, which would also explain why it’s always springtime there. The younger is incredulous, but the old man is, of course, correct, and they leave the forest as he shouts good wishes to the unicorn, as she is the last of her kind. Our equine protagonist hears this and is troubled by the possibility, and sets out to find out if this is true, and to learn what became of the others.

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That Other, Better Hobbit Movie

Posted on 24 April 2017 by Richard Carroll

A while back I wrote about Ralph Bakshi’s animated adaptation of The Lord of the Rings. I seem to be one of the brave few who actually did enjoy the movie, but mostly because of the few things it got right. Overall, the best I can say about it is that it’s not as bad as people say, but when that’s the best defense of a film one can offer, well, it’s probably not a good movie.

In any case, about the same time I saw that, I also heard of the Rankin/Bass version of The Hobbit, and figured I’d check it out eventually, but after one underwhelming Tolkien adaptation I wasn’t eager to see more. A few weeks ago, though, I came across Dr. Bruce Charlton’s positive review of the film, and when I shared that on Twitter I was quickly informed that I needed to watch it. So, to the front of the queue it went, and I have to say I should’ve watched this sooner, because it’s an excellent children’s film and a worthy adaptation of the novel.

Now, part of any adaptation’s success is knowing what parts of the source material to keep and what to exclude. Bakshi’s Lord of the Rings failed in part because it tried to stuff two books into a two hour movie, whereas Peter Jackson’s version mostly succeeded because each of the three books had its own film. However, Jackson’s adaptation of The Hobbit has often been criticised, justly, for bloating one fairly straightforward novel into a massively overdone trilogy of movies. Rankin/Bass couldn’t fit everything into ninety minutes, but as Dr. Charlton wrote in his review, they do hit the most important points and allow each scene to develop fully.…

Is There a Hierarchy Among the Arts?

Posted on 14 September 20167 January 2017 by Richard Carroll

Last weekend I wrote up a recommended reading list as a permanent page, and as I came to the end I briefly considered adding a section for comics, but decided against it because my goal was to direct people to higher art; pop culture already has enough promotion.

While thinking about some of the graphic novels I may have added, I noticed that most of them were works that I’d only really recommend to someone specifically interested in the medium. I took a look at the general fiction section and considered whether I’d encourage anyone to read them before even the relatively lighter works, like The Things They Carried or The Napoleon of Notting Hill, and the answer was no, I wouldn’t.

Why is this? It’s not as though I’m only working from a small sample size; I’ve read dozens of these works, including those that are commonly cited as the best of the medium, like Watchmen, The Dark Knight Returns, a few works by Tezuka Osamu, as well as some more niche titles like Onward Toward Our Noble Deaths or A Bride’s Story. Are comics just inherently an inferior medium? How would one even go about comparing different media?…