Everything is Oll Korrect!

An eclectic bibliophile's journal…

Category: prose fiction

Moby Dick: The Picture Book

‘Of course’, said Queequeg. ‘Man want to die, nothing can save him. Man want to live, only God can kill him – or whale or storm, maybe’.

Recently, while shelving books in my library’s children’s section, I noticed a picture book with an especially striking cover and was somewhat surprised to see the title, Moby Dick. Herman Melville’s Great American Novel is hardly something I expected to find on the kid’s fiction shelves, but I was curious about how it would be adapted so I checked it out.

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The Bowl of Tears and Solace

Not that long ago the common complaint around the Right (broadly defined) was that we needed more dissident artists and authors. Over the past year or two, though, that situation has been reversing itself and it feels like everyone who’s anyone now has a novel coming out. I’ve reviewed Neovictorian’s book Sanity previously, and Neovictorian himself has reviewed Sanction and The Brave and the Bold, while in short fiction there’s enough material for Logos Club to offer a weekly overview of it all. Now, to call all of this “Right-wing” is to sell it short; most of it is not explicitly ideological, and in general these authors are most interested in being artists first, philosophers second, if at all. Despite that, though, given Leftist dominance of traditional publishers the people most likely to be drawn to independent outlets and self-publishing are disproportionately going to be Right-of-Centre, whether that means Right-Libertarian, Throne and Altar Monarchist, or someone in between.

So, let’s take a look at a recent entry in this unexpectedly crowded field, Garth Ogle’s science fiction novel The Bowl of Tears and Solace, published late last year by Saints Edward Media. In short, it was the best graphic novel I’ve read in a long time.

“Wait,” you might be thinking, “isn’t this a regular prose novel?” Yes. That’s the novel’s strength and weakness. I like Ogle’s style, the ideas are intriguing, and the book is full of strong individual scenes. I also found the plot very difficult to follow, and the many action scenes in particular would have been better served in a visual medium like film or comics. To take an example from early in the book:

“It’s private,” I say. “Can we get to – ” but I am cut off by a sudden –

THUD

I rush to the door. This being a back street in the middle of the afternoon, I wonder how a tram accident could have happened. But then I see it.

In the middle of the road, just aside from the rail on the left, is a massive, gray– bug. It is, as best as I can tell, on top of a man, who does not seem to be benefiting from the exercise.

The handful of pedestrians just watch, as in a dream, seeming to me, perhaps, to wonder if it is real. Then I see something happen very quickly.

Across the street, on the right side of the road, I see a woman, with her hair up in a ponytail and dark glasses on. In a moment she is in shadow and there is a bright halo around her. With a motion too quick for me to see, she has drawn a rod and leaping, struck the insect on the back. The air itself shudders oddly with the blow, as if gravity itself were disrupted by the end of her rod. The insect collapses, bloodless and crumpled, and she, returning to normal begins doing something furtively with her handheld computer.

As I watch, in a matter of minutes, a golden man descends from the sky, and the woman throws off her glasses and unbinds her hair.

“CONGRATULATIONS!” he bellows, to the passersby. “YOU’VE BEEN VISITED BY THE DEFENDERS OF G-1! LET ME TELL YOU WHAT YOU’VE WON!”

I blink and turn back to the proprietor, who is idly dusting a glass case.

“I think a man just died out there.”

“No, it’s all a show. They keep it interesting here,” he replies impatiently.

It’s a striking scene, but one that loses most of its force in print. The novel is full of scenes along these lines, and if you have a stronger imagination than I do and can fully visualise them you’ll probably enjoy the book. Again, even I enjoyed most of the novel in spite of the action coming up short for me, because following the threads of what exactly this “show” is all about, as well as the plot of our protagonist discovering an almost miraculous cure and its consequences, was enough to hold my interest the whole way through. Even some of the action stands up; there are a few points where a character has a prophetic dream of the near-future, and Ogle successfully builds and maintains a lot of tension as he prepares to deal with the upcoming event.

If I’m being vague about the plot, it’s largely because the mystery is part of the appeal and I don’t want to spoil anything. Also, I struggled somewhat to follow it, especially at the rather abstract climax. I suppose I could talk about the themes, which I’ve seen the author mention on Twitter, but since I had to read the book over a longer period of time than usual for me I must have missed the connecting threads and didn’t get it.

So, do I recommend The Bowl of Tears and Solace? If you’re a voracious reader and are looking for something contemporary, sure, it’s worth a shot. If you’re a more casual reader and need to really pick your shots, I think there’s enough here that it’s definitely worth looking forward to Ogle’s next novel.…

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New at American Sun: The Things They Carried

If you have a good memory, you may recall that I published a review of Tim O’Brien’s novel The Things They Carried over at Thermidor Magazine on July 27, 2017. With Thermidor in the same condition as Old Howard, I’ve been republishing my old articles here, but for this one I’m making an exception – you can find it over at The American Sun. I think it was one of my best reviews from last year, so please give it a read, then give The Things They Carried a read.

By the way, several former Thermidor contributors were involved in starting The American Sun just a few months ago, so they’ve republished a few things lost in Thermidor’s closure. It’s off to a good start, and if you enjoyed Thermidor you’ll probably enjoy this new project, as well.

As for me, I’ll certainly follow them, but for the time being I only plan to contribute sporadically. I don’t have the time to commit to frequent contributions, since I’ve had a tough time keeping my own blog going, but I do want to help them out so I’ll be sending any future reviews that seem up their alley their way, as I did here.…

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Strange Case of Dr. Jekyll and Mr. Hyde

Even if you haven’t read Robert Louis Stevenson’s novella Strange Case of Dr. Jekyll and Mr. Hyde, you almost certainly know the premise. The image of Jekyll and Hyde has entered the English language as an idiom right along many allusions to Scripture and Shakespeare, and it’s been adapted into other media many times. Talking about it here, then, seems almost like a waste of time; after all, it’s already one of the most famous stories in English.

Well, I’ve found that many classic books, even if they are well-known, are in reality often seldom read, so one can never assume that just because something is famous that many people are actually familiar with the original work. Besides, there are a handful of books that are more enjoyable in their adaptations than in their original form, like Dracula, I’m afraid to say. At a glance, Jekyll looks like it may fall into that category, since it’s old, everyone knows the plot twist and themes, and it’s written in a slow-paced, wordy style common in the Nineteenth Century but unpalatable to many today. So, is Jekyll still worth reading?

I’m actually not going to give an unqualified “yes,” but will say that for most people, especially if you’ve managed to avoid spoilers your whole life, will enjoy it as long as you have the patience for Stevenson’s writing style. Not that his style is bad, of course – as we’ll discuss shortly, I think it’s very good. It’s just not for everyone. It is short, though, so it’s worth a shot.…

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