Everything is Oll Korrect!

An eclectic bibliophile's journal…

Category: Uncle Walt-a-thon

Uncle Walt-a-thon: The Jungle Book

<- Uncle Walt-a-thon: Sword in the Stone

It gives me a little sense of pride that mine must be one of the few blogs that can post a review of The Jungle Book right after a post on Doctor Zhivago, and it’s not even out-of-place.

Anyway, I already wrote up a closer for this series, but I did want to include The Jungle Book since it was the last film Disney worked on (though he passed away while it was still in production). Also, it was likely my favourite film as a child. I couldn’t even guess how many times I watched this movie before I turned ten, but it was enough that, even though I haven’t seen it in a solid decade-and-a-half, I could still remember every scene, almost every line, even. Only Robin Hood and Winnie the Pooh and the Blustery Day are even in the same ballpark for my favourite and most-watched childhood films.…

Continue Reading →

An Uncle Walt-a-thon Round-Up

I’ve already covered each major Walt Disney film individually as part of my Uncle Walt-a-thon project (except The Jungle Book, but he died during the production of that one and Netflix doesn’t have it, so I’m skipping it), but it occurs to me that I haven’t yet shared any thoughts of the project as a whole. So, here are some general impressions and a highlight reel.

Overall, there weren’t any surprises. Based on my childhood memories of these films, I expected a bunch of well-animated children’s films, and that’s what I got. The stories are fairly standard fare for family films, so what interested me most going in was to see how animation improved or changed over time.

Well, the animation quality did improve somewhat from one film to another, but Alice in Wonderland was the last one that was especially striking, visually, though there was a change in style with 101 Dalmatians. There are just a few highlights for fans of animation as such: Snow White, the “Pink Elephants on Parade” in Dumbo, much of Fantasia, Alice in Wonderland, and perhaps 101 Dalmatians. If I were teaching a class on animation, I suppose those five films would be the ones I’d include.

Continue Reading →

Uncle Walt-a-thon: Sword in the Stone

<– Uncle Walt-a-thon: 101 Dalmatians

Besides the English setting, Sword in the Stone has another common Disney trope in that it opens with a picture of a book with some narration. This may have had some novelty value the first time they did this, and I understand that they’re trying to create a certain feeling for the story, but setting up the story with straight narration like this is very easy, and having seen it multiple times now it also feels cheap. Was it just obligatory at this point?

At least the opening narration was partly sung and rhymed this time.…

Continue Reading →

Uncle Walt-a-thon: 101 Dalmatians

<- Uncle Walt-a-thon: Sleeping Beauty

It’s another dog story set in London. This does allow some cameos from Lady and the Tramp side characters, but between these two films and Peter Pan, part of me wonders whether it’s just a coincidence that Disney chose to adapt three works all set in England so shortly after each other (more than that if one includes Alice in Wonderland and Sword in the Stone). Just a fondness for the setting?

Anyway, I watched 101 Dalmatians many, many times as a child, but one thing I didn’t remember is that the art style here really feels hand-drawn. Obviously every film has been produced prior to CG animation, but look at this frame, for example:

dalmatians2

Continue Reading →