Icky Reviews

Last month the White Stripes released their sixth album, Icky Thump, to mostly positive reviews and strong sales. So, the music must be pretty good, right? Rolling Stone‘s review seems to think so, but while reading their review I noticed that their main critique seems to be not the music, but the lack of a message. For example, the critic (Robert Christgau) said:

Still, what do the White Stripes have to say? What do they stand for? Why do simple pop fans care about minimal Jack and his mythical sister, Meg?

[…] The other part of the answer, sad to say, is that this cultural breakthrough is almost certainly an accident. That’s because Jack White is less a songwriter than a sonic architect. Compared even with Lil Jon or Avril Lavigne, what his hits have in common isn’t anything he stands for.

After this, Christgau does begin to critique the album proper, but what did he accomplish with this little sideshow? It does not give any real insight into the album, but instead tells the reader that Christgau feels all musicians must have a message, as though one cannot produce compelling music unless it is at the forefront of a great political or social movement. I’d be curious about where this attitude comes from. Was it Bob Dylan? Though Dylan has always resented being tied to any social movements, he is well-known for the protest songs of his early career, and Rolling Stone did give Dylan 10 spots on its list of the 500 greatest albums, and 12 of its 500 greatest songs (including the top spot).

Providing an interesting contrast to Rolling Stone‘s review is a review by John’s Music Reviews (which is also the simplest-titled blog I’ve seen). Not a single mention does John provide of the White Stripes’ politics, though he does agree with RS that the band is slightly overrated.

A music review focusing on music. Imagine that……

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“All I Gotta do is…” Update Regularly?

Several decades ago, Buck Owens sang that all one had to do to become famous in the movies is to “act naturally.” According to the Wall Street Journal, the way to become famous in the blogosphere is to “be consistent.” I ran accross this article through John Houghton, who focuses on commercially owned blogs and podcasts, and points out:

You can’t expect to be popular after one or two blog posts, nor can you have a large following after one or two podcasts. If you release weekly, you must stick to it; monthly, that’s not as frequent but you may see results in 9 months. If you release episodes daily, you’ll grow quickly, but make sure you have a staff to support you.

Though I don’t read many blogs, I have found this statement to be very true regarding something I do follow – webcomics. There are several very good webcomics on the internet, but those with the largest audiences are generally those that update the most regularly – Penny-Arcade and xkcd come to mind. On the other hand, I can list several great comics that could, or used to, have larger audiences that floundered due to unpredictable update schedules – Fallen is a good example.

Of course, there are exceptions to this rule. Fred Gallagher, who writes and draws Megatokyo, is infamous for missed updates, though he’s still consistent enough that he hasn’t totally hacked off his fanbase.

Houghton continues:

The article also exhorts us to “Act Like a Pro” and advises against “amateur” production values but that “the most popular material is definitely more polished than the rest of the pack.”

Ah, yes – professionalism, something that is even rarer in online social environments than in the “physical plane.” Just as with any other project, online or offline, people are impressed by those who take the extra effort to make their work just a bit more polished. It does not matter if one is creating art, running a business, or writing a blog, customers will notice when a product is Bush League, like how I misspelled “across” in the first paragraph of this post.…

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But Am I Amusing?

You probably won’t read past this sentence if said sentence does not amuse you.

Maybe that’s too presumptuous, but it’s a thought I had while reading about Dickens World, one of the more surprising attempts at making education entertaining I’ve seen in a while. The place is just what it sounds like – a theme park based on the life and stories of Charles Dickens. While there is nothing wrong with making literature more interesting, a full theme park is too much.

If this all seems trivial, consider this. First, if Dickens cannot stand on his own, then there’s no reason for him to stand at all. When a piece of literature becomes so dull and irrelevant that it requires a theme park to maintain interest, then the theme park is too late. The work does not matter anymore. While the general public is far from discerning in its tastes (the fact that The DaVinci Code sold any copies at all is proof enough of this) Dickens appears to have done well on his own without such gimmicks, both in popular and academic circles, and such an attraction only cheapens his work to just another object to amuse us, like a monkey with a squeeze box.

Second, on a larger scale, I see this as another symptom of the scourge of entertainment value. If something is not entertaining, it does not register in the popular mind. How many news sources reported on Paris Hilton going to jail? Why does anyone oustide the Hilton family even care? I think this attitude is well summed up in this post from the Literature Compass Blog:

Yet the museum comes across confidently, its intention of ‘art for entertainment’s sake’ appearing in a quote from Hard Times that encircles the four walls of the entrance: “People must be amused, squire, somehow. They can’t be always a-working, nor yet they can’t be always a-learning.”

Dickens World has clearly been planned with the emphasis on amusement combined with a smattering of learning.

Art does not need to be entertaining. As with any form of communication, it sometimes is far from amusing. By emphasizing “amusement” with just a “smattering of learning,” one teaches that the former is the more important of the two.…

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A Blogger You Can’t Refuse

Recommending a blog to someone is, for me, an easy question, because I only read two.

The first is VerseLogic, written by codepoetica (otherwise known as Alan Castonguay). The subjects he writes about are diverse, ranging from sharing a favorite poem to thoughts on new technological developments. Ironically enough, several posts happen to relate to new media – it was through VerseLogic that I first saw the “Machine is Us/ing Us” video, for instance.

The second is lainspotting, written by Lawmune (or Lawrence Eng). This blog was originally tied with his fansite for serial experiments lain (link to his site here), but has since branched off to discuss more general topics, though it still mostly centers around the study of online culture. Unfortunately, this one has not been updated in a long time now.

I feel like my recommendations are a bit lacking, since one is starting to look defunct, but these are the only two I’ve ever followed, except for maybe one other that isn’t even online anymore, and I’m very reluctant to try to recommend a blog that I’ve been reading for one day.…

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Blogging vs. Writing Anywhere Else

Despite having written in a few different online settings, including adding comments to a handful of blogs, I must honestly say that I do not see much of a difference between writing for a blog versus writing for anything else. Certainly a powerful piece of prose or verse is powerful in any format, and it seems to me that as long as blogs are essentially text-based they will remain that way. Admittedly, they don’t have to remain text-based, since there’s nothing preventing someone from blogging via a comic or video. YouTube, in fact, already has a number of vlogs. That said, it’s not as though nobody’s ever made a video before, and though I can see where this can open up a number of doors for something creative, I remain unconvinced that blogging is as much of a revolution as many seem to believe.

The primary difference between blogs and other forms of communication is, of course, its availability and ease of use. As has been stated numerous times in numerous places, any ol’ fool with internet access can set one up, and they’re easy to maintain. In fact, browsing around WordPress I was slightly surprised to find just how easy it was. There are hardly any more steps to posting a blog entry than writing an entry into a journal – just a couple buttons to click, plus maybe a few tags for special formatting. After that, of course, is the opportunity for readers to add their own publicly viewable comments right there in the blog – or, depending on the format, in a link at the end of an entry. That also assumes that a blog has readers, which is far from guaranteed considering that there are about as many blogs on the internet as there are leaves in a jungle, and getting noticed nearly requires a miracle.

On a final note, one difference noted by Meg Hourihan is that “The weblog’s post unit liberates the writer from word count.” I need to ask my Arts & Technology professor if this applies to those of us blogging as a class assignment.…

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