Everything is Oll Korrect!

An eclectic bibliophile's journal…

Tag: children’s films

Uncle Walt-a-thon: 101 Dalmatians

<- Uncle Walt-a-thon: Sleeping Beauty

It’s another dog story set in London. This does allow some cameos from Lady and the Tramp side characters, but between these two films and Peter Pan, part of me wonders whether it’s just a coincidence that Disney chose to adapt three works all set in England so shortly after each other (more than that if one includes Alice in Wonderland and Sword in the Stone). Just a fondness for the setting?

Anyway, I watched 101 Dalmatians many, many times as a child, but one thing I didn’t remember is that the art style here really feels hand-drawn. Obviously every film has been produced prior to CG animation, but look at this frame, for example:

dalmatians2

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Uncle Walt-a-thon: Peter Pan

<– Uncle Walt-a-thon: Alice in Wonderland

Short version: it’s better than Cinderella.

Peter Pan is, simply, far more entertaining. The variety of settings goes a long way by itself, but there’s also a good deal of action, humour, and of course music. Even the plot is, by Disney’s standards, fairly complex, with multiple points of conflict, e.g. Wendy’s opposition to her father’s wish that she grow up, Capt. Hook’s desire for revenge against Peter, Tinkerbell’s jealousy of Wendy, and a couple others. Someone unafraid of a little overanalysis could even write a short paper on how the film’s like a cheerier version of Lord of the Flies, as the Lost Boys are quite the little lot of savages constantly fighting among themselves, and chasing after every novelty that comes their way, whether that’s acting like the Indians, joining a pirate ship, or following Wendy to London (as a side note, I’d watch a movie about the Lost Boys going to London). All Capt. Hook, clearly their leader’s greatest enemy, has to do to convince them to join his crew after capturing them is have his men put together a spiffy song-and-dance routine; it was a nice routine, I’ll admit, but show a little loyalty!…

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Uncle Walt-a-thon: Bambi

<– Uncle Walt-a-thon: The Three Caballeros

After a couple films in a row that I wasn’t really familiar with, we make it to a film I’ve seen many, many times with Bambi.

My first impression is that this film is beautiful. It’s one of the best-looking animated works I’ve ever seen. I’ve mentioned that some of the previous films‘ backgrounds are soft and reminiscent of watercolours, and that’s the case here, as well, but Bambi has probably the most elaborate yet. The character animation is, needless to say, fluid throughout, and I imagine it took a lot of work to get such a variety of animals to all look right. The animation doesn’t go into any of the weird, experimental stuff I usually like; the closest it comes to something like “Pink Elephants” is in Bambi’s fight with a rival deer near the end. However, it does remind me of Fantasia‘s Tchaikovsky segment with the lush colours and use of lighting, so I would consider this as a culmination of everything the studio had been working towards so far in animation technique.…

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Uncle Walt-a-thon: Dumbo

<– Uncle Walt-a-thon: Pinocchio

When I was a child, Dumbo was possibly my least favourite Disney film, so I wasn’t much looking forward to this one except for one particular scene. I’m not sure why I didn’t care for it. I possibly just didn’t like the elephants, Dumbo included; the gossipers are intended to be annoying, and the animators succeeded there. As a child I also didn’t connect much to the mother/son relationship, which, being the whole point of the film, is rather critical.

Watching it now, I’ll again applaud the quality of the animation, though if there’s any change in quality between this film and Pinocchio it’s marginal. It has lots of bright, primary colours, even compared to Snow White and Pinocchio, especially in the character designs, which fits the circus setting, and the backgrounds are again detailed and generally softer-coloured.…

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