Everything is Oll Korrect!

An eclectic bibliophile's journal…

Tag: Cinderella

An Uncle Walt-a-thon Round-Up

I’ve already covered each major Walt Disney film individually as part of my Uncle Walt-a-thon project (except The Jungle Book, but he died during the production of that one and Netflix doesn’t have it, so I’m skipping it), but it occurs to me that I haven’t yet shared any thoughts of the project as a whole. So, here are some general impressions and a highlight reel.

Overall, there weren’t any surprises. Based on my childhood memories of these films, I expected a bunch of well-animated children’s films, and that’s what I got. The stories are fairly standard fare for family films, so what interested me most going in was to see how animation improved or changed over time.

Well, the animation quality did improve somewhat from one film to another, but Alice in Wonderland was the last one that was especially striking, visually, though there was a change in style with 101 Dalmatians. There are just a few highlights for fans of animation as such: Snow White, the “Pink Elephants on Parade” in Dumbo, much of Fantasia, Alice in Wonderland, and perhaps 101 Dalmatians. If I were teaching a class on animation, I suppose those five films would be the ones I’d include.

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Uncle Walt-a-thon: Lady and the Tramp

<- Uncle Walt-a-thon: Peter Pan

Maybe I should’ve saved that “still better than Cinderella” line for Lady and the Tramp instead of using it with Peter Pan. After all, Peter Pan is a different kind of story; it’s an adventure story, whereas Cinderella and Lady are “watch the characters not do much of anything except [in Lady‘s case] eat spaghetti and chase a rat” stories.

Now, I’ll willingly grant that perhaps I’m not being entirely fair; perhaps it is largely my fault for being bored because there’s not enough action. As I’ve said before, my main interest in animation is animation, and with a few exceptions I don’t have much patience for works that don’t play to the strength of their medium. Besides, I’m outside the target audience for these films, and I did like Lady and the Tramp alright as a child. I certainly can’t fault the quality of the animation, and there’s nothing major wrong with the plot, it’s just not interesting to me as an adult.…

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Uncle Walt-a-thon: Peter Pan

<– Uncle Walt-a-thon: Alice in Wonderland

Short version: it’s better than Cinderella.

Peter Pan is, simply, far more entertaining. The variety of settings goes a long way by itself, but there’s also a good deal of action, humour, and of course music. Even the plot is, by Disney’s standards, fairly complex, with multiple points of conflict, e.g. Wendy’s opposition to her father’s wish that she grow up, Capt. Hook’s desire for revenge against Peter, Tinkerbell’s jealousy of Wendy, and a couple others. Someone unafraid of a little overanalysis could even write a short paper on how the film’s like a cheerier version of Lord of the Flies, as the Lost Boys are quite the little lot of savages constantly fighting among themselves, and chasing after every novelty that comes their way, whether that’s acting like the Indians, joining a pirate ship, or following Wendy to London (as a side note, I’d watch a movie about the Lost Boys going to London). All Capt. Hook, clearly their leader’s greatest enemy, has to do to convince them to join his crew after capturing them is have his men put together a spiffy song-and-dance routine; it was a nice routine, I’ll admit, but show a little loyalty!…

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Uncle Walt-a-thon: Alice in Wonderland

<– Uncle Walt-a-thon: Cinderella

After the insipid Cinderella, a part of me dreaded what lay in store for the rest of this series; would the rest of the classic Disney films fare as poorly as this? Luckily, these fears turned out to be premature, because Alice in Wonderland is a contender for the best film yet.

The contrast between Alice and Cinderella illustrates Disney’s strengths. No Disney film has a complex plot, so a work like Cinderella which relies entirely on storytelling, though children may enjoy it just fine (which I realise is the primary goal), will almost always bore an adult audience. However, when plot is largely set aside and the animators are free focus entirely on their own craft, as in Fantasia or Dumbo’s “Pink Elephants,” the results are almost always spectacular.…

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