This post is a revised version of an essay I wrote a few years ago; I’m posting it here in honour of Pound’s upcoming birthday. Please forgive its length – I’ll go back to my normal style shortly after this. For now, think of it as a preview of the literature-focused website I mentioned working on in last week’s post.
Though many poets write about social, political, and economic issues, few have made such matters as integral to their work as Ezra Pound. Literary criticism would always form a large part of his prose work, like ABC of Reading, but he wrote at least as much on economics and politics, like ABC of Economics, Jefferson and/or Mussolini, and segments of Guide to Kulchur. Even in his poetry, references to historical figures like John Adams and Sigismundo Malatesta outnumber artists.
The apparent catalyst for Pound’s concern with socio-economic matters was the First World War. Prior to the war, most of his writing deals directly with encouraging a revival of the arts, and poetry in particular. After the war, beginning with Hugh Selwyn Mauberley, he began to seriously consider the war and its causes, and his conclusions on the nature of and relationship between politics, economics, and the arts would shape his poetic and prose output for the rest of his career, especially in his epic poem The Cantos.…