I recently received the book Medieval Monsters, an art book collecting illustrations from various medieval manuscripts, by Damien Kempf and Maria L. Gilbert, as a gift, and it’s one of those books whose main flaw is that it’s not big enough. That is, I wish it were bigger both in the sense of having more content and just being physically larger. At just 6″ x 7.5″, this is the smallest art book I own. More typical would be something like The First World War in Colour, which is 8.5″ x 11.5″. To be fair, most of these illustrations don’t have a lot of detail and so may not merit as much space as some other genres of art, but a larger size would also allow for more content. On a positive note, the paper and print quality is nice, so what is here looks good.
One other small complaint, at just under a hundred pages there’s not really space here for a full treatment of the art. Anyone looking for a full discussion of medieval art and manuscripts will need to look elsewhere. However, Kempf and Gilbert do accomplish just what they set out to do, and there’s just enough text to give some context to the pictures and to relate some always-interesting myths and anecdotes. Discussing a picture of St. Dominic, for example, the authors say:
The Spanish saint was known for h is intense devotion to Christ: he would spend sleepless nights praying and reading. According to a medieval legend, Dominic’s mother, when pregnant, dreamed of a dog carrying a torch in its mouth that would teach and enlighten the world. Dominic and the members of the monastic order he founded, the Dominicans, were called the ‘dogs of the Lord’ (Domini canes), and their mission was to fight against the evil temptations of the world.