Everything is Oll Korrect!

An eclectic bibliophile's journal…

Tag: Neon Genesis Evangelion

Me and that New Genesis Gospel

ryouga_(fm59)Seeing Evangelion 3.0 made me want to revisit the original Evangelion TV series. I haven’t watched it in full since I introduced it to my sister back in early 2010, so I was about due for a re-watch, and just finished it earlier today, so I figured I’d share a few thoughts on the show.

This viewing marks the first time I’ve seen it since becoming an Eva fan after seeing 2.0 in theatre a few years ago, and is the third time I’ve seen it all the way through. I first attempted to watch the series back in high school, in 2005 or so. I say “attempted” because Blockbuster only had the first two volumes and I couldn’t afford to buy the whole thing myself (such is the life of a high schooler), so for a while I knew the story more from Sadamoto Yoshiyuki’s comic version. Even now, it takes some effort for me to remember what happens in the comic versus the anime.…

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Evangelion 3.0 – Initial Impressions

I went to see Evangelion 3.0 at the Plano Angelika theatre yesterday, and though it was less fun than it could’ve been since the person I’d planned to see it with had to be out-of-state, I still enjoyed the experience and thought I’d share a few brief thoughts about it.

The highlights: driving down Dallas North Tollway with hardly any traffic was pretty fun; the one cosplayer did a fine job as Gendo; the Angelika is probably the nicest theatre I’ve been in.

You’ll notice that none of those highlights come from the actual movie. I guess I enjoyed it, but Evangelion 2.0 is a favourite film of mine so it had a lot of goodwill from me going in, and the mostly poor early reviews had my expectations a bit low. Most of my enjoyment just came from the still novel experience of seeing Eva, or really any anime, on the big screen, and the film did do a few things right. I liked the music, and the animation is still good, though they used too much CG. I hated the English dub, but that may be because I’m so used to the Japanese cast for Eva and because I’m hostile to English dubs in general. Ultimately, though, I’m afraid that Evangelion 3.0 just isn’t a very good movie.

One common reaction I’ve seen is that the plot’s too difficult to follow, and I suppose that’s true but that’s also par for the course for Evangelion. Another criticism is that action scenes aren’t as good as in the past, and that’s also true.

Evangelion‘s biggest strength in the past, the thing that made me care about the plot and action, was the characters, and Eva 3.0‘s biggest weakness is that the characters lack any depth. In most cases, there’s not much time for development – the newly introduced Wille crew isn’t much more than a collection of names and faces, for example – whereas Eva 2.0 had several scenes of relatively quiet moments that don’t advance the plot much but allow us to get to know these characters; Rei and Asuka learning to cook, for example, or Asuka and Misato’s conversation as Asuka prepares to test a new Evangelion unit. Here, most characters can be summed up in just a few words; Asuka is angry, Misato is bitter, Rei is emotionless, Gendo is cool and mysterious, Mari is Asuka but more annoying.

That’s bad enough, but the film also throws away some of 2.0‘s development. Rei is back to her old expressionless self, for example, and Shinji is back into full-on depression by the end. In both cases there is a good reason for this, but Shinji’s case is especially demoralising. I understand what director Anno Hideaki was trying to do with Shinji in the original series, but that’s part of why I appreciate the original more than I enjoy it. Seeing this character finally do something heroic at the end of 2.0, after a full two-season TV series and three feature-length movies, was one of the most moving scenes I’ve seen in a movie, and while I obviously didn’t expect Shinji to turn into John Rambo for Eva 3.0, I was hoping we could at least get to see a moderately self-confident incarnation of this character.

I suppose I have to give Anno credit for one thing: he’s not afraid not to give the fans what they want in his movies. I just wish he’d give us a break once in a while.…

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The Aristotelian Argument for Animation

I’ve touched on why I like animation before, but I’ve been wanting to expand a little on why animation is particularly worth following, even if it’s less accomplished than other media (e.g., literature or painting). In particular, I find myself returning to near the end of the Poetics, where Aristotle considers whether tragedy is superior to epic poetry. He answers “yes,” in part because tragedy can use any of the same techniques as epic, right down to using the same poetic metre. This puts them on equal terms, but tragedy also has “a substantial role for music and spectacle, which engender the most vivid pleasure.” Aristotle stresses this vividness, and I’ll add that this vividness works to enhance whatever effect an artist wishes to impress on his audience, whether that be a feeling of horror, comedy, and so on.

This argument in favour of tragedy also applies to animation, which possesses most of the same tools available to other arts, e.g. live-action film, comics, and literature, but in addition is capable of a level of spectacle that no other form can match.…

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The Bibliophile’s Journal VI

Well, now that I’m mostly moved into a new apartment, I’ve had some more time to read. Part of my newfound free time has gone into resuming my study of Japanese, as well as my usual mix of film and anime, but on the literary front here’s what I’ve been up to:

I finally, finally finished Charles Dickens’s Great Expectations. For the patient reader, the narrator’s frequent asides, long descriptions, and multitude of characters and plot threads can be quite entertaining. I enjoyed them for a couple hundred pages, but as the book dragged on and on I began losing interest. By the halfway point, I really only cared about Pip’s relationship with Estella, and that’s partly because I can identify a little with his feelings in a hopeless, one-sided romance.…

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