After working through the Republic, we return once more to the events around Socrates’ trial and execution with Phaedo, which covers the death of Socrates. Like the Symposium, this one is narrated second-hand, this time by Phaedo, who was present for Socrates’ last moments and is telling his friend Echecrates about it. Incidentally, we have another rare mention of Plato himself, when Phaedo says that most of Socrates’ circle of friends was present but that “I believe Plato was ill.” Plato had been present at his trial, which gave it more of an air of authenticity than most other dialogues, so it’s interesting that he removes that for this one. How much we should read into this, though, I’m not sure.
In any case, one of the first things Phaedo mentions is that Socrates had spent his last few weeks on Earth writing poetry, specifically based on Aesop’s fables. He explains that he has, throughout his life, had recurring dreams where he’s told to “practice and cultivate the arts,” which he had always interpreted to mean philosophy. However, since the trial it had occurred to him that it may actually have been referring to poetry, so just in case he had misinterpreted his calling, he’s taken up writing some hymns and other verse. Socrates and his interlocutors don’t spend much time on this, but assuming this is true, one wonders how history would’ve been different if Socrates had pursued poetry instead of philosophy. He almost certainly wouldn’t have been as well-remembered now, since he was about as successful in philosophy as it’s possible to be, and he mentions that he struggled to write verse. Still, it’s an interesting side point to the dialogue.