Literature
2013
I’ve occasionally mentioned, here and on Twitter, that I love books - not just reading, but the actual, physical objects, and try to surround myself with them. That “surrounding” is, in fact, literal since I don’t have much space in my room, and I long ago ran out of shelf space and have to stack new volumes on the floor. It’s something like stuffing the Library of Alexandria into a broom closet, or Yomiko’s room from R.O.D.
2012
As far as reading goes, the big event of the past couple months is that I have a Kindle Fire HD now. I owned and had mixed feelings about the Kindle 2, but since this one is basically a tablet I’ve been getting more use out of it. I’m still not a fan of e-books, but it is a decent way to conveniently get things that would be difficult otherwise (like French-language books), or things available for free online but that are too long to read comfortably at a computer, like the Vatican’s online library of papal encyclicals.
As you may have guessed from the length of my last post, I admire Ezra Pound.
It’s been a while since I’ve done a round-up post, but I’ve of course continued to read quite a bit. Here’s the highlight reel.
This past week, I read through William Golding’s Lord of the Flies for the first time. It’s been a few years since a book held my interest so firmly, and I made it through the novel quickly. It’s the sort of book that reminds me of why I love literature so much, being symbolic but not presumptuous, intense, and realistic. It does have a few problems, but overall I loved this novel.
Every once in a while, usually after something sensational and traumatic, discussions crop up on the moral dimension of art, by which I mean the question of to what degree art reflects or influences society and individuals, and whether we should therefore take this into account when evaluating a work, especially in popular culture.
Much like my experience with moe my interest in the Haruhi Suzumiya franchise has suddenly waned to the point that I just don’t much care about it anymore, despite enjoying the series, both the anime versions and Tanigawa Nagaru’s original novel series, for the first time since I first encountered it in my college anime club six years ago.
For the last few years, I’ve occasionally passed time by thinking of the shortest way to become literate in the Western literary tradition. In other words, what is the smallest number of books one can read, and which books, to say one is familiar with the general outline of Western literature?
In his mostly autobiographical comic Disappearance Diary, Azuma Hideo notes that in order to maintain an optimistic outlook on life, he’d removed as much realism as possible from his book. Azuma’s dry humour and cartoony art style make what should be a depressing story about a man running away from his responsibilities and living homeless seem rather light-hearted and funny.