Everything is Oll Korrect!

An eclectic bibliophile's journal…

Consecration to St. Joseph

Many Catholics are well familiar with consecration to Mary, especially St. Louis de Montfort’s thirty-three day programme of preparation for consecration. It’s a popular devotion with centuries of history behind it. Much more recent, though, is the concept of consecration to St. Joseph. I only became aware of it when my wife bought me a copy of Fr. Donald Calloway’s book Consecration to St. Joseph: The Wonders of Our Spiritual Father, published just in 2019, for my birthday last year.

Now, to be clear, this is intended to be a complementary devotion to the consecration to Mary. Fr. Calloway assumes that if you are reading his book you are already familiar with and have likely already done the Marian consecration. In the introduction, he points out that God intends all families to have a mother and a father. Mary is our spiritual mother, and her spouse thus becomes our spiritual father in a similar way. Just as Christ entrusted Himself to Mary and Joseph’s care as a child, we may also entrust ourselves to their paternal care in our spiritual lives. Fr. Calloway states in the book that no saint can have loved Christ as much as His earthly parents, and both are eager to help us on our way to knowing and loving Our Lord.

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2020: O My Dove, in the Clefts of the Rock

Uh… I wrote five posts this year. I’m not even going to compare it to previous years. What in tarnation? What was I doing this year?

Well, let’s talk about Everything is Oll Korrect! first; not like that will take very long anyway. Then we’ll talk about personal matters, i.e., why there were so few posts this year.

I got an early start to the year, with the first post going up in March, “What Books Have Most Influenced Me?” This is largely a reflection on what it means to say a book has influenced someone.

That was followed shortly by “Notes on Praying the Divine Office,” a straightforward introduction and collection of tips on how to approach the Divine Office/Liturgy of the Hours, which unfortunately can be intimidating to those new to them.

For a little while I was on a roll, as just a couple weeks later I published a review of Mah Jongg: The Art of the Game. If nothing else, it was the most beautiful post of the year.

In June I finally watched and reviewed The Return of the King. Reviewing animation was long Everything’s bread-and-butter, and I still enjoy writing these posts. Y’know, when I write anything at all.

We then have a long gap to October, where I did my first-ever review of an album, Alan Parsons Project’s Tales of Mystery and Imagination.

Though none of these posts are all-time greats, I enjoyed writing them all and think they’re all pretty good. I also managed to fit in a lot of variety for so few posts, true to this blog’s name. The Mah Jongg review was the most fun to write and my personal favourite, while the Divine Office post was the most successful.

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Tales of Mystery and Imagination (the Other One)

Album Cover

It’s October and Halloween is just around the corner, so now’s a perfect time to bring out Tales of Mystery and Imagination. Not the compilation of Edgar Allan Poe stories, though that’s good, too, but the Alan Parsons Project album based on various Poe stories and poems, though most aren’t from that specific collection – only “The Tell-Tale Heart,” “The Cask of Amontillado,” and “The Fall of the House of Usher.”

This album was something of a lucky find for me. About seven years ago or so I was browsing the vinyl section at a Half Price Books and stumbled across Tales. I wasn’t very familiar with APP outside a couple hit and that Parsons was involved with Pink Floyd, but those were enough to pique my interest. Also, I liked the idea of a concept album based on Poe’s stories and besides, used vinyl was very cheap aside from collectible stuff. I wouldn’t call it a great album, but it’s right up my alley and is quite good.…

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That Other Return of the King Movie

We’ve talked about Rankin and Bass’s version of The Hobbit, and you can’t talk about The Hobbit without also talking about The Lord of the Rings. Yeah, I know, it’s been three years since that earlier post, but I don’t like to be rushed. So, today we’re going to talk about about Rankin/Bass’s follow-up, The Return of the King.

“Now hold on,” you may be thinking. “That’s the third Lord of the Rings volume. What happened to The Fellowship of the Ring and The Two Towers?” Well, I assume there were some rights issues involved, or perhaps they just didn’t want to retread the ground already covered by Ralph Bakshi’s unfortunate foray into Middle Earth, which was an animated and rotoscoped adaptation of Fellowship and about half of Two Towers and which had come out just two years earlier. To give you the timeline, R/B’s Hobbit was 1977, Bakshi’s LotR was 1978, and R/B’s LotR was 1980. I won’t go in to why things worked out that way; I don’t know and ultimately what matters is the film as we have it.

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