Film and Animation

I went to see Miyazaki Hayao’s newest film, The Wind Rises, yesterday at the Dallas Angelika where I could see the subtitled version. The crowd was fairly small, about a dozen people, but I suppose that’s not too bad for a subtitled film that’s been out for a couple weeks already on a Wednesday evening. Part of me felt obliged to see it, because I’d failed for no good reason to see Howl’s Moving Castle or Ponyo, so I haven’t seen a Ghibli film in theatre since Spirited Away. Also, I’d like to support any 2D animated films that come out, but haven’t seen many chances to do so. Apparently, the Angelika is showing a Tiger and Bunny film; based on the synopsis it’s an original film and I haven’t seen the TV series, so I’ll have to skip that one, but I’ll have to check out the Anglika occasionally to see if they show anything else. They did have A Certain Magical Index showing in their café, but the sound was muted.

I went to see Evangelion 3.0 at the Plano Angelika theatre yesterday, and though it was less fun than it could’ve been since the person I’d planned to see it with had to be out-of-state, I still enjoyed the experience and thought I’d share a few brief thoughts about it.

Some films are good and some films are bad, and some films are such a thorough mix of good and bad that one struggles to decide whether the work as a whole is good or not. The 1978 animated adaptation of Lord of the Rings, directed by Ralph Bakshi, is just such a movie. Parts of the film look excellent, and it takes a few chances that do pay off, but there are a few major faults that may ultimately sink it.

I’ve already covered each major Walt Disney film individually as part of my Uncle Walt-a-thon project (except The Jungle Book, but he died during the production of that one and Netflix doesn’t have it, so I’m skipping it), but it occurs to me that I haven’t yet shared any thoughts of the project as a whole. So, here are some general impressions and a highlight reel.

There are very few directors (and no actors) whose films I’ll watch simply because of their involvement. Fritz Lang, though, seems to have joined that list.

Me being such a fan of animation as animation, Interstella 5555 is a film I should’ve watched a long time ago. It’s compelling and there’s little else quite like it, and even the background of its production is interesting. As Daft Punk were producing their second album, Discovery, they hit on the idea of setting a story to the album’s music, and wrote up a plot outline. Being fans of Leiji Matsumoto’s anime Albator, they got in touch with him and he agreed to take on the project of creating an animated film set entirely to Discovery’s music.

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