I wrote about the first two volumes of Zekkyo’s comic adaptation of ToraDora way back in July 2011, and volume three a few months later. Since then, each volume has continued to follow the anime fairly closely (I haven’t read the original novels, so I can’t make a comparison there), and my opinion of it has remained consistent from volume to volume. The character art is good, the jokes generally work, the drama is, perhaps, a bit melodramatic at times, but that’s just part of the style.
There are three notable things about Seraphim 266613336 Wings. One is that it has the most unwieldy three-word title I’ve ever encountered. The second is that it’s another Kon Satoshi comic, but one he did with Oshii Mamoru (of Ghost in the Shell and Patlabor fame). The third is that, like the other Kon comic I’ve read this year, it’s unfinished.
Now, the story is an interesting one - the premise is that the world is plagued by a disease called “seraphim,” which causes its victims to hallucinate and to gradually grow wings out of their back.
The best Catholic writers tend to be the ones who divide the world into Catholics, schismatics, heretics, Jews, and pagans, with no “separated brethren” nonsense. St. Robert Bellarmine takes just this approach in De Laicis, in which he discusses the nature and scope of political power and its relationship to the Church. His answers tend to be orthodox by the standard of the time and the book isn’t very long, but it’s an excellent and uncompromising primer to a traditional Catholic understanding of the state.
After finishing Dante’s Monarchia, I decided to look for some of the various commentaries and related works that editor Prue Shaw referred to in my Cambridge University Press edition. Several of these aren’t easily available, at least not in English, but I did find The Monarchia Controversy, edited by Anthony Cassell and published by the Catholic University of America Press. This includes Monarchia, Guido Vernani’s Refutation of the “Monarchia” Composed by Dante, and Pope John XXII’s bull Si fratrum, as well as Cassell’s own introduction and annotations.
I should probably begin with a disclaimer that I’m very much a layman when it comes to biology and genetics; my experience in the field is limited to a couple college classes. That said, I read and greatly enjoyed The 10,000 Year Explosion, by Gregory Cochran and Henry Harpending, which covers recent human evolution, essentially from the development of agriculture on. The authors accomplish a difficult task of explaining a fairly complex topic in terms that the average, non-specialist reader can understand, while still covering the topic adequately and not coming across as condescending.
Let me start by saying this: The Analects of Confucius is a strong contender for the greatest work of non-fiction ever written, and has been the single most influential book on how I think about society and politics. I’ve read seven translations of it (Legge, Waley, Leys, Lau, Pound, Huang, and Chan’s partial translation), some of them multiple times. My knowledge of the Chinese language is only barely non-zero, so I can’t really offer an opinion on which is the most accurate, but in terms of literary style, coherence, and intelligibility to the average Westerner, they’ve all been at least decent.
As a Southerner, Catholic, and fan of literature, one can easily guess that I’m a fan of Flannery O’Connor. If you haven’t read Wise Blood or her short stories, do yourself a favour and check them out. Her excellent collection of essays, Mystery and Manners, is also some of the best work I’ve read about literature.
When I heard about Fantagraphics Books releasing a collection of her cartoons, though, I wasn’t sure what to expect.
Dante begins this short book by telling his audience that he has an unpopular truth to share. “No one has attempted to elucidate it,” he says, “on account of its not leading directly to material gain,” but share it he must, because men are made to seek the truth, and he does not want to be accused by later generations of “hiding [his] talent.” So, he argues that the world ought to be ruled by a single absolute monarch, that the Roman Empire ruled the known world by right (which, presumably, is passed to its successor), and whose power is God-given, though not dependant on the Church.
I imagine all of my readers already know Kon Satoshi, but if you haven’t seen his films (Perfect Blue, Millennium Actress, Tokyo Godfathers, and Paprika) and TV anime (Paranoia Agent), go watch them. Even if you’re not especially interested in anime, they’re excellent and worthwhile for anyone interested in film. Before he started working in animation, though, he did comics, including the unfinished Opus, published late last year by Dark Horse.
One thing many people remember fondly about Nintendo Power magazine was that, besides just straight-up video game news, reviews, and the like, they’d occasionally serialise comics based on one of Nintendo’s popular game franchises. These could easily have been mailed in as cheap promotional material by C-grade artists, but to NP’s credit they were actually genuinely pretty good. I remember a couple of these, but unfortunately they stopped doing this not long after I subscribed, so I missed out on most of them.