Impressions

<- Uncle Walt-a-thon: Lady and the Tramp

In some ways, Sleeping Beauty is a revised version of Snow White and the Seven Dwarves, since both adapt fairly simple fairy tales that don’t seem to lend themselves to a feature-length film. Disney has covered wide variety of subjects in his films so far, so it’s sometimes difficult to compare them, but these two lend themselves to comparison.

Of course, Sleeping Beauty does offer better animation than its predecessor. The backgrounds are gorgeously detailed, and the first part of the film has an unusual, flat look to it from the lack of shading, making it reminiscent of simple storybook illustrations. Snow White is also visually appealing, but the extra two decades of refinement shows in the newer work.

<- Uncle Walt-a-thon: Peter Pan

Maybe I should’ve saved that “still better than Cinderella” line for _Lady and the Tramp _instead of using it with Peter Pan. After all, Peter Pan is a different kind of story; it’s an adventure story, whereas Cinderella and Lady are “watch the characters not do much of anything except [in Lady’s case] eat spaghetti and chase a rat” stories.

Now, I’ll willingly grant that perhaps I’m not being entirely fair; perhaps it is largely my fault for being bored because there’s not enough action. As I’ve said before, my main interest in animation is animation, and with a few exceptions I don’t have much patience for works that don’t play to the strength of their medium. Besides, I’m outside the target audience for these films, and I did like Lady and the Tramp alright as a child. I certainly can’t fault the quality of the animation, and there’s nothing major wrong with the plot, it’s just not interesting to me as an adult.

<– Uncle Walt-a-thon: Alice in Wonderland

Short version: it’s better than Cinderella.

Peter Pan is, simply, far more entertaining. The variety of settings goes a long way by itself, but there’s also a good deal of action, humour, and of course music. Even the plot is, by Disney’s standards, fairly complex, with multiple points of conflict, e.g. Wendy’s opposition to her father’s wish that she grow up, Capt. Hook’s desire for revenge against Peter, Tinkerbell’s jealousy of Wendy, and a couple others. Someone unafraid of a little overanalysis could even write a short paper on how the film’s like a cheerier version of Lord of the Flies, as the Lost Boys are quite the little lot of savages constantly fighting among themselves, and chasing after every novelty that comes their way, whether that’s acting like the Indians, joining a pirate ship, or following Wendy to London (as a side note, I’d watch a movie about the Lost Boys going to London). All Capt. Hook, clearly their leader’s greatest enemy, has to do to convince them to join his crew after capturing them is have his men put together a spiffy song-and-dance routine; it was a nice routine, I’ll admit, but show a little loyalty!

I’ve decided to provisionally make The Bibliophile’s Journal a regular, probably monthly, feature of the blog. My stated purpose with the blog is to share my thoughts on what I read and watch, but with most books I don’t have enough material to justify a dedicated review, but do have a few things to say. This is especially with individual volumes in ongoing series (e.g., Gunslinger Girl this month). Depending on how it goes, I may also just start posting very short, say one- or two-paragraph posts on everything I read.

<– Uncle Walt-a-thon: Cinderella

After the insipid Cinderella, a part of me dreaded what lay in store for the rest of this series; would the rest of the classic Disney films fare as poorly as this? Luckily, these fears turned out to be premature, because Alice in Wonderland is a contender for the best film yet.

The contrast between _Alice _and Cinderella illustrates Disney’s strengths. No Disney film has a complex plot, so a work like Cinderella which relies entirely on storytelling, though children may enjoy it just fine (which I realise is the primary goal), will almost always bore an adult audience. However, when plot is largely set aside and the animators are free focus entirely on their own craft, as in Fantasia or Dumbo’s “Pink Elephants,” the results are almost always spectacular.

I’ve always been rather hit or miss about following new anime each season. Even with a Crunchyroll subscription, I’ll go one season following several new shows, or at least giving several new shows a chance, then go a season without watching a single thing. I hesitate to call this a “busy” season, since what counts as “busy” for me is light compared to the more serious fans out there, but I am watching a few things so I figured I would share my impressions of the handful of shows I’ve checked out. (Oh, and note that I’m only covering new shows here, so this is in addition to other things I’m watching, i.e. Fist of the North Star and my film backlog).

<– Uncle Walt-a-thon: Bambi

So far, I’ve rather enjoyed this project of watching every Disney film. I appreciated Snow White, Pinocchio, and Dumbo a little more than I used to, loved (parts of) Fantasia, and even Three Caballeros has some good moments.

Cinderella, though, is the first film so far that I would say is merely a children’s film.

None of these films have had a deep plot by any stretch, but they’d at least have some interesting animation or good musical numbers to keep adults entertained. Cinderella’s animation is all perfectly fluid and appealing, of course, but it’s not really any better than Pinocchio on that score, and it’s all very straightforward. I suppose a flourish like the Pink Elephants or dancing cacti would’ve been out-of-place, but the closest we get is seeing Cinderella’s reflection animated in some floating soap bubbles.

Bunny Drop, by Unita Yumi, is one of those comics I’ve been meaning to read for a long time now, even before the anime adaptation came out, but I only recently got in the first couple volumes. So far, it’s about as good as I’ve heard.

The premise is that a thirty-year-old bachelor, Daikichi, goes to his grandfather’s funeral and there learns, with the rest of his family, that Grandfather has a six-year-old daughter, Rin. The mother is nowhere to be found, and nobody wants to take the girl in. Irritated by his relatives’ callousness, Daikichi decides to take care of Rin himself.

As far as reading goes, the big event of the past couple months is that I have a Kindle Fire HD now. I owned and had mixed feelings about the Kindle 2, but since this one is basically a tablet I’ve been getting more use out of it. I’m still not a fan of e-books, but it is a decent way to conveniently get things that would be difficult otherwise (like French-language books), or things available for free online but that are too long to read comfortably at a computer, like the Vatican’s online library of papal encyclicals.

As I mentioned in the second Anime Autobiography post, serial experiments lain is, by far, my favourite anime, and the show that really made me into an anime fan. So, when Funimation finally, two years after licensing it, released it on glorious blu-ray I felt obligated to pre-order it.

Now, I’ll focus on this specific release rather than the series itself for this post, but I will say that what I love about lain is the show’s ambition. Writer Konaka Chiaki and his co-creators really packed a lot of ideas into this show, and the result is a series dense with information. There’s a good deal of exposition and a few infodumps, and though the generally slow pacing keeps this from getting totally out of hand, it is fair to use one of the episode titles, “infornography,” to describe this show’s approach to storytelling. If you want to know a little more about the show itself, I’d recommend reading Lawrence Eng’s short review (his site, “thought experiments lain,” is also a great resource for information on the show’s many allusions and plot points).