Literature for Children

Jill Barklem’s Brambly Hedge series is popular enough that I don’t think I need to spend much time introducing it. I’ll simply say that the books are a contender for the most beautifully illustrated children’s books I know, and the artwork seems to be what it’s most known for. The official website has a lot of merchandise featuring the art, from prints to mugs to calendars, which may seem a bit kitschy but honestly, I don’t blame anyone who wants to surround themselves with this art.

I’ve written a few posts over the last year discussing various children’s books and authors, but I don’t know a lot about the history of children’s literature or what criticism of the genre looks like. So, I decided to start looking for a general overview and began with The Cambridge Companion to Children’s Literature, edited by M. O. Grenby and Andrea Immel. It was published in 2009 so it’s not the leading edge of criticism, but for a general overview that seems plenty recent enough.

Library booksales are wildly hit-and-miss affairs, usually more of a miss. Once in a while, though, you can catch a break - like us at a sale earlier this year, where we walked out with several dozen books for $20. Of course, mere quantity means little if every book is rotten, but we were able to find a lot of good stuff. What helped, I think, is that staff gradually restocked the tables over the course of the morning, so the early birds weren’t able to pick out absolutely everything worth having (often to sell on eBay later, not even to enjoy for themselves!). Among those was a book I wasn’t familiar with, but might be the best of all: Treasury of Children’s Poetry, first published in 1998, edited by Alison Sage and with an introduction by Michael Rosen, author of the picture book We’re Going on a Bear Hunt and a poet with a few selections included here.

Dr. Seuss is a contender for the most famous author of children’s books, especially if we restrict that category to picture books. So, he’s not someone who needs my advertising here, but I only had a couple of his books when I was growing up, so reading these with my children is a new experience for me and I thought I may as well share a few thoughts on them.

When it comes to Serious Books for Grown-Ups, I’ve never read so little as I have in the past year and a half or so. That number hasn’t dropped to zero and I do still read more than the average American (though yes, that’s a low bar to clear), but it’s certainly not what I’d like. However, the total amount of time I’ve spent reading is as high as it’s ever been thanks to my children and their library of board books - which, for those who don’t know, are short books for babies and toddlers printed on stiff cardboard pages, so they’re much sturdier than regular books. This isn’t a genre I’ve ever given much thought to before, naturally, but since they’ve been my primary reading material lately I figured I’d share a few thoughts and observations on them.

There are two important parts of the Christmas holiday; the first, of course, is the Nativity of Our Lord. Second is a focus on family, and children in particular. Christmas puts me, and many others, into a nostalgic mood, thinking back to Christmas Mass, exchanging gifts on Christmas morning, then going over to my grandparents’ house to have dinner and play with my cousins. God willing, I’ll be able to extend these experiences to a new generation, but with last year’s addition of my nephew to the family children are once again part of the Carroll family’s Christmas.

‘Let’s hear it,’ said Humpty Dumpty. ‘I can explain all the poems that were ever invented — and a good many that haven’t been invented just yet.’

As I’ve talked about in previous posts, I think the epic poem is the greatest, noblest form in literature. One reason is the discipline required simply to complete writing one at all. Even a short poem demands much from a writer, and extending that over a lengthy narrative makes for an extraordinary quality filter, and is also why there are relatively few epics out there.

‘As to poetry, you know,’ said Humpty Dumpty, stretching out one of his great hands, ‘I can repeat poetry as well as other folk, if it comes to that — ’
‘Oh, it needn’t come to that!’ Alice hastily said, hoping to keep him from beginning.
‘The piece I’m going to repeat,’ he went on without noticing her remark, ‘was written entirely for your amusement.’
Alice felt that in that case she really ought to listen to it, so she sat down, and said ‘Thank you’ rather sadly.