Is it time for our annual visit with St. Robert Bellarmine already? Yes it is, and this time I’d like to talk about a short book of his called The Art of Dying Well.
Now, St. Robert is best known for his apologetical work, like De Laicis and De Romano Pontifice, and I’ve also covered his catechism, which serves a similar purpose for those already in the Church. He wrote The Art of Dying Well, though, near the end of his life, when he’d largely retired from public work, and it’s a much more immediately practical book than the others.
Hey, remember this series? Honestly, I’m rather proud of having kept up this web log on a regular schedule despite starting graduate school and working a full-time job. Unfortunately, though doing fairly short posts isn’t too hard, a series that demands more attention like Plato’s dialogues is significantly more difficult. I read Cratylus about a month ago. I barely remember what it’s about at this point. I’m not 100% sure who Plato is.
The Spring and Autumn Annals is one of Confucianism’s Five Classics, and like the Book of Documents is a work of history, in this case chronicling the history of the state of Lu, Confucius' home state, from 722-481 B.C. However, whereas the Documents is, as the title indicates, a collection of speeches, decrees, and the like, the Annals is a chronology. It should take just one excerpt to give one an idea of the book, so from the very beginning, the first year of Duke Yin’s reign (722 B.
At a glance, Edward Herbert’s short book A Confucian Notebook looks promising. I’d never heard of it until I ran across it in a used bookstore, but it’s intended to serve as an introduction to Confucianism through a series of thirty-three “notes,” each of them two, sometimes three pages long. Each offers a few brief observations or explanations on a given theme, varying from the Confucian use of prehistorical figures, Confucius' favourite disciple, Mencius and Yang Chu, Mo Ti’s doctrine of universal love, etc.
After working through the Republic, we return once more to the events around Socrates' trial and execution with Phaedo, which covers the death of Socrates. Like the Symposium, this one is narrated second-hand, this time by Phaedo, who was present for Socrates' last moments and is telling his friend Echecrates about it. Incidentally, we have another rare mention of Plato himself, when Phaedo says that most of Socrates' circle of friends was present but that “I believe Plato was ill.
My friends, the eternal snows appear already past, and the first clouds and mountains seem the last. In the list of Plato’s dialogues, the Republic is at the centre of it all, being the halfway point of the reading order I’m using, as well as Plato’s most famous work and, arguably, most important (going by reputation and my observations so far, of course). This also means that it is, arguably, the most important work by the most important philosopher in the history of Western civilisation, so, hey - no pressure on us amateurs trying these towering Alps.
Since I’m among the brave few who dislike the Symposium, I was a little disappointed at first that most of Phaedrus covers the same subject, love. However, it also covers a couple other things that I find much more interesting, and it’s also back to having just one interlocutor for Socrates. Rather than the more-or-less hostile exchanges that characterised the dialogues with the Sophists, though, this conversation is much more amiable, similar to some of the earlier dialogues like Lysis and Laches.
Guys, I’m not gonna lie to you: if I hadn’t already committed to discussing every dialogue, I’d punt on the Symposium. I know, it’s probably Plato’s second-most famous dialogue, after the Republic, and love seems like as universally interesting as a topic can be, but it just didn’t grab me as every other work has so far. It is the first so far to have some storytelling to it; even the dramatic Apology is essentially just a record of one speech.
I’m sure that the mother of Lesser Hippias loves him just as much as Greater Hippias, which is good because no one else seems to like this dialogue. Edith Hamilton and Huntington Cairns, in their introduction to it, say “This dialogue can be ascribed to Plato only because it always has been, from Aristotle’s days on. It is inferior to all the others.” That opening sentence isn’t just them being gratuitously insulting, either, as there has been some doubt over whether Lesser Hippias is authentic or not.
So, let’s say you want to begin a study of Confucianism. One reasonable place to start is The Analects of Confucius, but once you decide to do that, you run into a problem - which translation do you use? The number of options can easily overwhelm a newcomer; collecting them somewhat casually, that is, just buying one as I come across it and not actively seeking them out, I own nine versions and have read eight.