So, after a tumultuous, often uncertain journey of seven years, I’ve finished Gunslinger Girl. I’ve written a couple posts on Aida Yu’s series before, after its return from publishing limbo in North America, one enthusiastic (of volumes 7-8), one rather concerned about the direction the author had taken (of volumes 11-12). Though volumes 13-14 were fine, I’m afraid that this final (fifteenth) volume largely, though not completely, justified my concerns.
Gunslinger Girl is one of the only stories I know where it does not constitute a spoiler to reveal that this or that character dies. Artist Aida Yu makes it clear very early that every cyborg-assassin girl is going to die, probably horribly. At its best, Gunslinger Girl uses the constant presence of death to its advantage, for example with Triela’s story and her relationship with Hilshire. Sometimes, though, Aida overplays his hand, and especially in Seven Seas' most recent omnibus volume (volumes 11-12) his writing gets tiring and predictable.
Fully four years after ADV published volume six of Gunslinger Girl, I finally hold in my hands volumes seven and eight in omnibus, thanks to Seven Seas. The mere fact that this series, one of my top-five all-time favourites, is actually available in a form I can understand makes me giddy. I’d tried to fill in the gap between releases by buying some of the Japanese volumes, but the technical jargon and lack of furigana mostly rendered the books a reminder of my lousy literacy.