Writing about Dante’s non-fiction Monarchia not once, but twice on this blog, and once at length on the main site, made me want to revisit his poetry. I haven’t had time to tackle The Divine Comedy this year, but was able to get through the fairly short La Vita Nuova over Christmas weekend, when not visiting with my kinsfolk.
La Vita Nuova is a bit of an odd work; the poetry makes up the centrepiece, but the work as a whole is autobiographical, and concerns Dante’s relationship, such as it was, with Beatrice.
After finishing Dante’s Monarchia, I decided to look for some of the various commentaries and related works that editor Prue Shaw referred to in my Cambridge University Press edition. Several of these aren’t easily available, at least not in English, but I did find The Monarchia Controversy, edited by Anthony Cassell and published by the Catholic University of America Press. This includes Monarchia, Guido Vernani’s Refutation of the “Monarchia” Composed by Dante, and Pope John XXII’s bull Si fratrum, as well as Cassell’s own introduction and annotations.
Dante begins this short book by telling his audience that he has an unpopular truth to share. “No one has attempted to elucidate it,” he says, “on account of its not leading directly to material gain,” but share it he must, because men are made to seek the truth, and he does not want to be accused by later generations of “hiding [his] talent.” So, he argues that the world ought to be ruled by a single absolute monarch, that the Roman Empire ruled the known world by right (which, presumably, is passed to its successor), and whose power is God-given, though not dependant on the Church.
For the last few years, I’ve occasionally passed time by thinking of the shortest way to become literate in the Western literary tradition. In other words, what is the smallest number of books one can read, and which books, to say one is familiar with the general outline of Western literature?
I’ll begin by seting out some criteria. First, every era of Western civilisation should, of course, be represented, from the Classical world to modernity.