So, after a tumultuous, often uncertain journey of seven years, I’ve finished Gunslinger Girl. I’ve written a couple posts on Aida Yu’s series before, after its return from publishing limbo in North America, one enthusiastic (of volumes 7-8), one rather concerned about the direction the author had taken (of volumes 11-12). Though volumes 13-14 were fine, I’m afraid that this final (fifteenth) volume largely, though not completely, justified my concerns.
I’ve decided to provisionally make The Bibliophile’s Journal a regular, probably monthly, feature of the blog. My stated purpose with the blog is to share my thoughts on what I read and watch, but with most books I don’t have enough material to justify a dedicated review, but do have a few things to say. This is especially with individual volumes in ongoing series (e.g., Gunslinger Girl this month). Depending on how it goes, I may also just start posting very short, say one- or two-paragraph posts on everything I read.
Gunslinger Girl is one of the only stories I know where it does not constitute a spoiler to reveal that this or that character dies. Artist Aida Yu makes it clear very early that every cyborg-assassin girl is going to die, probably horribly. At its best, Gunslinger Girl uses the constant presence of death to its advantage, for example with Triela’s story and her relationship with Hilshire. Sometimes, though, Aida overplays his hand, and especially in Seven Seas' most recent omnibus volume (volumes 11-12) his writing gets tiring and predictable.
In the first Maynguh Memories post, I mentioned that I’ve long been more a comics than an anime fan, initially because I found graphic novels more affordable. Besides that, though, anime also consumed a lot more time, whether in finding a two-hour block of time for a film, or stringing together a series of times for a TV production. I could read a volume of a graphic novel, though, in about half an hour, and read it more discreetly than I could watch an anime.
<– Previous: Anime Autobiography - Endless Delinquency and Despair
In 2010, my university career ended with a whimper, and I entered the “real world.” Actually, I just continued at the job I already had and spent most of the next year or so wondering what to do for a career. It was a somewhat depressing time, in a way, but hey - I still had my Japanese cartoons.
Now, at this point I’d seen enough that fewer and fewer shows offered really new experiences for me.
<– Previous: Anime Autobiography - serial experiments lain
Moving into 2005, though lain had inspired me to seek out more anime, I faced a couple roadblocks that prevented me from fully immersing myself right away. First, I lacked time. Though I had loads of free time in high school, I’ve long had a hobby of collecting hobbies, so anime had to compete with comics, video games, literature, guitar, film, and whatever else grabbed my interest.
Fully four years after ADV published volume six of Gunslinger Girl, I finally hold in my hands volumes seven and eight in omnibus, thanks to Seven Seas. The mere fact that this series, one of my top-five all-time favourites, is actually available in a form I can understand makes me giddy. I’d tried to fill in the gap between releases by buying some of the Japanese volumes, but the technical jargon and lack of furigana mostly rendered the books a reminder of my lousy literacy.