‘Let’s hear it,’ said Humpty Dumpty. ‘I can explain all the poems that were ever invented — and a good many that haven’t been invented just yet.’
As I’ve talked about in previous posts, I think the epic poem is the greatest, noblest form in literature. One reason is the discipline required simply to complete writing one at all. Even a short poem demands much from a writer, and extending that over a lengthy narrative makes for an extraordinary quality filter, and is also why there are relatively few epics out there.
‘As to poetry, you know,’ said Humpty Dumpty, stretching out one of his great hands, ‘I can repeat poetry as well as other folk, if it comes to that — '
‘Oh, it needn’t come to that!’ Alice hastily said, hoping to keep him from beginning.
‘The piece I’m going to repeat,’ he went on without noticing her remark, ‘was written entirely for your amusement.’
Alice felt that in that case she really ought to listen to it, so she sat down, and said ‘Thank you’ rather sadly.
<– Uncle Walt-a-thon: Cinderella
After the insipid Cinderella, a part of me dreaded what lay in store for the rest of this series; would the rest of the classic Disney films fare as poorly as this? Luckily, these fears turned out to be premature, because Alice in Wonderland is a contender for the best film yet.
The contrast between _Alice _and Cinderella illustrates Disney’s strengths. No Disney film has a complex plot, so a work like Cinderella which relies entirely on storytelling, though children may enjoy it just fine (which I realise is the primary goal), will almost always bore an adult audience.
Every once in a while, usually after something sensational and traumatic, discussions crop up on the moral dimension of art, by which I mean the question of to what degree art reflects or influences society and individuals, and whether we should therefore take this into account when evaluating a work, especially in popular culture.
On that first question, on whether art primarily influences society or is merely a reflection of it, one can begin with the observation that a work must be created by somebody in an act of will.