Why I Watch Anime: An Internal Dialogue

Richard Carroll
In short, why do you watch anime? A few reasons. One is that I enjoy the community. A few problems aside, I like exchanging thoughts with other fans on blogs, forums, and Twitter. Conventions and podcasts can be fun, too, and it also gives me something to share with my little sister. Of course, there’s also my interest in Japanese culture generally; I’ve studied Japan’s language and history, and seek out Japanese films and literature.

Uncle Walt-a-thon: Alice in Wonderland

Richard Carroll
<– Uncle Walt-a-thon: Cinderella After the insipid Cinderella, a part of me dreaded what lay in store for the rest of this series; would the rest of the classic Disney films fare as poorly as this? Luckily, these fears turned out to be premature, because Alice in Wonderland is a contender for the best film yet. The contrast between _Alice _and Cinderella illustrates Disney’s strengths. No Disney film has a complex plot, so a work like Cinderella which relies entirely on storytelling, though children may enjoy it just fine (which I realise is the primary goal), will almost always bore an adult audience.

Anime Autobiography - Endless Delinquency and Despair

<– Previous: Anime Autobiography - Into the Bowels of College Sometimes, one discovers the right show at the right time. In high school, I found Azumanga Daioh, early at university I found Genshiken, and early in 2009, the second half of my junior year, I found Welcome to the NHK!, about a seemingly hopeless shut-in who dropped out of college. Having already noticed a pattern in the shows I watched, I thought, “Is this what I have to look forward to?

How Do We Judge Anime?

Richard Carroll
Recently, my sister and I were talking about our favourite anime, and she said that she finds it difficult to separate her top three, Madoka Magica, Gurren Lagann, and Mushi-Shi. Now, ‘favourite’ is a subjective term, so there’s no need to try to be scientific about it, but this did get me thinking about how one would objectively judge between works that, though in the same medium, are so different from each other.