Tanigawa Nagaru

The one benefit of having a very long commute to work each day is that it allows one to get through a lot of audiobooks and podcasts. Not that I actually listen to a lot of audiobooks, admittedly, mainly because I like to mark up my books and share interesting passages on twitter as I go. They do benefit from professional narration, though, like a radio play, and poetry especially benefits from being read out loud. Of course, audiobooks are also a distraction while driving, though if I do get into an auto accident at least I’ll go out listening to something good.

The American release of Tanigawa Nagaru’s Haruhi Suzumiya novels are in the home stretch, with the recent release of The Dissociation of Haruhi Suzumiya. It’s the first of a two-part story, to be concluded in the next and last novel, so I’ll hold off on a full review. There were, however, a few things I found interesting with this one.

The most obvious feature of this novel is that the narrative splits halfway through, and what occurs over the next few days differs significantly between the two versions. Though there is some overlap between the two, the differences aren’t subtle like, say, the “Endless Eight” story arc from a few volumes back. I don’t see any hint as to how these two parallel timelines may relate to each other, except that Kyon, our intrepid narrator, does mention not having encountered a slider yet near the beginning of the book. Is it time for one to finally appear?

As far as reading goes, the big event of the past couple months is that I have a Kindle Fire HD now. I owned and had mixed feelings about the Kindle 2, but since this one is basically a tablet I’ve been getting more use out of it. I’m still not a fan of e-books, but it is a decent way to conveniently get things that would be difficult otherwise (like French-language books), or things available for free online but that are too long to read comfortably at a computer, like the Vatican’s online library of papal encyclicals.

Much like my experience with moe my interest in the Haruhi Suzumiya franchise has suddenly waned to the point that I just don’t much care about it anymore, despite enjoying the series, both the anime versions and Tanigawa Nagaru’s original novel series, for the first time since I first encountered it in my college anime club six years ago.

[]Part of this may stem from my general fatigue with high school settings in anime and its related media, but since I still enjoy several other ongoing series with such settings, that doesn’t seem to be the reason. Neither does the possibility that even after seven novels, two television seasons, and one film, I’ve just burned out. After all, I’m still following Oh, My Goddess!, which is far longer and less interesting, especially in recent volumes. I just finished The Intrigues of Haruhi Suzumiya, the seventh novel, and it wasn’t any better or worse than previous volumes. So, these two are, at most, minor factors.