<- Uncle Walt-a-thon: Sword in the Stone
It gives me a little sense of pride that mine must be one of the few blogs that can post a review of The Jungle Book right after a post on Doctor Zhivago, and it’s not even out-of-place.
Anyway, I already wrote up a closer for this series, but I did want to include The Jungle Book since it was the last film Disney worked on (though he passed away while it was still in production).
I’ve already covered each major Walt Disney film individually as part of my Uncle Walt-a-thon project (except The Jungle Book, but he died during the production of that one and Netflix doesn’t have it, so I’m skipping it), but it occurs to me that I haven’t yet shared any thoughts of the project as a whole. So, here are some general impressions and a highlight reel.
Overall, there weren’t any surprises.
<– Uncle Walt-a-thon: 101 Dalmatians
Besides the English setting, Sword in the Stone has another common Disney trope in that it opens with a picture of a book with some narration. This may have had some novelty value the first time they did this, and I understand that they’re trying to create a certain feeling for the story, but setting up the story with straight narration like this is very easy, and having seen it multiple times now it also feels cheap.
<- Uncle Walt-a-thon: Sleeping Beauty
It’s another dog story set in London. This does allow some cameos from Lady and the Tramp side characters, but between these two films and Peter Pan, part of me wonders whether it’s just a coincidence that Disney chose to adapt three works all set in England so shortly after each other (more than that if one includes Alice in Wonderland and Sword in the Stone).
<- Uncle Walt-a-thon: Lady and the Tramp
In some ways, Sleeping Beauty is a revised version of Snow White and the Seven Dwarves, since both adapt fairly simple fairy tales that don’t seem to lend themselves to a feature-length film. Disney has covered wide variety of subjects in his films so far, so it’s sometimes difficult to compare them, but these two lend themselves to comparison.
Of course, Sleeping Beauty does offer better animation than its predecessor.
<- Uncle Walt-a-thon: Peter Pan
Maybe I should’ve saved that “still better than Cinderella” line for _Lady and the Tramp _instead of using it with Peter Pan. After all, Peter Pan is a different kind of story; it’s an adventure story, whereas Cinderella and Lady are “watch the characters not do much of anything except [in Lady’s case] eat spaghetti and chase a rat” stories.
Now, I’ll willingly grant that perhaps I’m not being entirely fair; perhaps it is largely my fault for being bored because there’s not enough action.
<– Uncle Walt-a-thon: Alice in Wonderland
Short version: it’s better than Cinderella.
Peter Pan is, simply, far more entertaining. The variety of settings goes a long way by itself, but there’s also a good deal of action, humour, and of course music. Even the plot is, by Disney’s standards, fairly complex, with multiple points of conflict, e.g. Wendy’s opposition to her father’s wish that she grow up, Capt. Hook’s desire for revenge against Peter, Tinkerbell’s jealousy of Wendy, and a couple others.
<– Uncle Walt-a-thon: Cinderella
After the insipid Cinderella, a part of me dreaded what lay in store for the rest of this series; would the rest of the classic Disney films fare as poorly as this? Luckily, these fears turned out to be premature, because Alice in Wonderland is a contender for the best film yet.
The contrast between _Alice _and Cinderella illustrates Disney’s strengths. No Disney film has a complex plot, so a work like Cinderella which relies entirely on storytelling, though children may enjoy it just fine (which I realise is the primary goal), will almost always bore an adult audience.
<– Uncle Walt-a-thon: Bambi
So far, I’ve rather enjoyed this project of watching every Disney film. I appreciated Snow White, Pinocchio, and Dumbo a little more than I used to, loved (parts of) Fantasia, and even Three Caballeros has some good moments.
Cinderella, though, is the first film so far that I would say is merely a children’s film.
None of these films have had a deep plot by any stretch, but they’d at least have some interesting animation or good musical numbers to keep adults entertained.
<– Uncle Walt-a-thon: The Three Caballeros
After a couple films in a row that I wasn’t really familiar with, we make it to a film I’ve seen many, many times with Bambi.
My first impression is that this film is beautiful. It’s one of the best-looking animated works I’ve ever seen. I’ve mentioned that some of the previous films' backgrounds are soft and reminiscent of watercolours, and that’s the case here, as well, but Bambi has probably the most elaborate yet.