Yasuhiko Yoshikazu

As longtime readers may already know, I majored in Literature but went to a university with only a token arts and humanities department. The professors I had were generally good, but to give an idea of what the school was like, there was no classicist on the faculty, and I managed to graduate without reading much of anything not originally in English or written prior to 1800 or so. The two best instructors were well aware of this, and though neither of them specialised in the period, they did make sure that one of them would offer a class on Shakespeare every semester - inadequate as the school was, it at least wouldn’t be so inadequate that graduates would entirely miss out on Shakespeare.

Now we move on to an older, shorter work from the mid-1990’s by Yasuhiko Yoshikazu, Joan. It’s a work of historical fiction, about a young woman named Emil who’d been raised as a man near the end of the Hundred Years War, who sees visions of Joan of Arc urging her to follow in her footsteps and serve the French king. I can’t say how historically accurate the work is overall, aside from the fictional Emil, but the last volume includes a short essay by Chojun Otani, a scholar of French literature, who says that Yasuhiko came to him for help in his research, so he’d apparently made at least some effort in keeping the work as accurate as the story allows.

So, I’ve already talked about Mobile Suit Gundam: The Origin twice before, so I think I just have a few things to add. The eighth volume does pick up where the fourth left off, having finished Char and Sayla’s backstory. Yasuhiko Yoshikazu’s art is still excellent, and I especially like the colour pages with the watercolours. He also continues to be very good at characterising Gundam’s large cast, even those who are only around for a chapter or two.

The sixth volume of Yasuhiko Yoshikazu’s Mobile Suit Gundam: The Origin picks up where the fifth left off with Char and Sayla’s backstory, but this and the seventh volume expand to include other major characters on the Zeon side, as well, going up to the start of events in the main storyline in the first volume. This gives the series an unusual structure where roughly the first four volumes proceed from what now seems to be the middle of the story, then the next three volumes cover the beginning. Now that the backstory has caught up to the beginning of the series, I assume that the eighth volume will jump to where the fourth left off. I’d be interested to know why Yasuhiko decided to structure the story this way; perhaps he wanted to make sure his adaptation began the same way as the original TV anime before going off on a different path, similar to how the first Rebuild of Evangelion film started mostly the same as its predecessor and only made major changes in the second film.

I never thought I’d come up with a title more unwieldy than Rex Quondum Rexque Futurus: Kingship in Fate/Zero, but thanks to Yasuhiko Yoshikazu, I’ve outright crushed the previous record-holder. I’ve also changed the naming scheme of this series to make it less monotonous-looking, since this is obviously going to take up the vast majority of posts I write this year.

Anyway, my only previous experience with the Gundam franchise is the movie trilogy version of the original series and Char’s Counterattack. I watched those in particular because Daryl Surat, co-host of the Anime World Order podcast, recommended those four films as the quickest introduction to the franchise. I’m not a huge fan, but I liked them a fair bit; I’m also aware of Yasuhiko’s reputation and I’m a sucker for nice physical editions of books, and Vertical’s edition is gorgeous, so I went ahead and jumped for his Mobile Suit Gundam: The Origin, which adapts the original TV series.