Graphic Novels

2013
Bunny Drop, by Unita Yumi, is one of those comics I’ve been meaning to read for a long time now, even before the anime adaptation came out, but I only recently got in the first couple volumes. So far, it’s about as good as I’ve heard.
2012
First, a programming note - over the next couple months, I’ll be finishing up my web design certification, and I’ve just begun a Biblical studies programme, so I’ll be busier than usual. I’ll continue to blog and update every Sunday, but expect more short posts like this for a little while.
Gunslinger Girl is one of the only stories I know where it does not constitute a spoiler to reveal that this or that character dies. Artist Aida Yu makes it clear very early that every cyborg-assassin girl is going to die, probably horribly. At its best, Gunslinger Girl uses the constant presence of death to its advantage, for example with Triela’s story and her relationship with Hilshire. Sometimes, though, Aida overplays his hand, and especially in Seven Seas’ most recent omnibus volume (volumes 11-12) his writing gets tiring and predictable.
In the first Maynguh Memories post, I mentioned that I’ve long been more a comics than an anime fan, initially because I found graphic novels more affordable. Besides that, though, anime also consumed a lot more time, whether in finding a two-hour block of time for a film, or stringing together a series of times for a TV production. I could read a volume of a graphic novel, though, in about half an hour, and read it more discreetly than I could watch an anime. That was important because of a confession I have to make.
It’s been a while since I’ve done a round-up post, but I’ve of course continued to read quite a bit. Here’s the highlight reel.
This past week I finished reading Tezuka Osamu’s Dororo. I’ve read a few of Tezuka’s other works, including Apollo’s Song, Black Jack, and Ode to Kirihito, but I haven’t written about any of them partly because I can’t shake the feeling of audacity in passing judgment on someone of his stature (it’s for similar reasons I haven’t written about, say, Shakespeare). I’ll just shake off that feeling for now, though, and share my impressions of this one.
FLCL - Ueda Style
Okay, “sucks” may be a bit strong, but Fujishima Kosuke’s Oh, My Goddess! volume 41… it’s still not very good. Neither were the last couple volumes.