Reading e-books is, for me, an act of desperation. As I’ve written before, I love books as physical objects, and only resort to my Kindle if there’s no other feasible way to read something. So, this is how I read Short Breaks in Mordor, the newest book from Peter Hitchens, published exclusively in digital format.
His difficulty in finding a traditional publisher is unfortunate, because Short Breaks, which collects many of the author’s articles on his travels around the world, is well worth picking up and I’d love to have a physical copy of it.
The sixth volume of Yasuhiko Yoshikazu’s Mobile Suit Gundam: The Origin picks up where the fifth left off with Char and Sayla’s backstory, but this and the seventh volume expand to include other major characters on the Zeon side, as well, going up to the start of events in the main storyline in the first volume. This gives the series an unusual structure where roughly the first four volumes proceed from what now seems to be the middle of the story, then the next three volumes cover the beginning.
Ever since I first took an interest in history back in middle or high school, I’ve occasionally gone to the local library or bookstore and there confirm something that is, unfortunately, unsurprising: most American’s aren’t interested. A look at the shelves would turn up a few things on Greece or Rome, maybe the Cold War or China, and if you wanted to know about, say, the unification of Italy, you’re totally out of luck.
Though I haven’t played video games with any regularity in several years, there are a few games that I still remember very fondly and even revisit once in a great while. A couple of my favourites are the two fantasy-themed Ogre Battle games, both the Super NES original and its Nintendo 64 sequel. For years, I’ve also owned the two Tactics Ogre spin-off games, but never really played either of them until now, and I’ve just finished the PlayStation port of Tactics Ogre: Let Us Cling Together.
As one can easily guess, Notes on the Third Reich is Julius Evola’s follow-up to Fascism Viewed from the Right. Both books are similar in their structure and approach, and though both are well worth reading I think only the earlier one is really essential, because it’s more thorough and touches more on the general principles that define the Right. Evola’s criticisms of National Socialism are similar to those he made of Fascism, e.
This series is going to end with a whimper, isn’t it?
I’ve been down on Oh My Goddess for a long time now; the series basically lost me way back in volume 41, and I’ve basically just been stewing in a fairly mediocre arc for three years waiting for it to end already. Things have improved somewhat in the last couple volumes, I suppose; Fujishima Kosuke is better at drawing motorcycle racing than he is any other sort of action, and the character art is still nice enough.
The American “Right” is a strange beast. The more one looks outside the bubble of the United States of the past five minutes, the stranger it looks, because what Americans usually call the “Right” is simply the Republican Party, an incoherent coalition of neoconservatives, social conservatives, Tea Partiers, and right-libertarians. What these groups have in common besides opposition to the various groups that make up the Democratic Party’s coalition isn’t at all clear to me.
I talked about the first two volumes of Suenobu Keiko’s comic Limit way back in March 2013 in a Bibliophile’s Journal post, and only this week have I gotten around to reading the other four volumes, which I read in a single sitting.
Now, that may make it sound like this is a real page-turner and I couldn’t put it down. Unfortunately, I blew through the books so fast because, well, there’s not really much to them.
Henry Kissinger’s Diplomacy, published in 1994, looks at diplomatic history from Richelieu up to the early 1990’s, focusing on Europe and the United States and especially on the Cold War era. Overall, the book is excellent, and very useful to anyone looking for an introduction to how diplomacy is, and generally ought to be, conducted. Kissinger takes a point of view that reminds me of a craftsman looking at his peers' work; he avoids moralising for the most part, and instead focuses on whether a particular policy worked or not, and why.
Is it fair to criticise a book that the author left unfinished at his death? Well, it was published, so I suppose so.
Most of Franz Kafka’s The Castle doesn’t really feel unfinished, anyway. There are a few spots that could use some editing, I suppose, but I wouldn’t have guessed that the author died before completing it until the book stops. That’s probably the main problem, really, which is hardly Kafka’s fault - though there is a note at the end of my audiobook edition about how Kafka intended the novel to end, the manuscript we have just stops in the middle.