Impressions

I should probably begin with a disclaimer that I’m very much a layman when it comes to biology and genetics; my experience in the field is limited to a couple college classes. That said, I read and greatly enjoyed The 10,000 Year Explosion, by Gregory Cochran and Henry Harpending, which covers recent human evolution, essentially from the development of agriculture on. The authors accomplish a difficult task of explaining a fairly complex topic in terms that the average, non-specialist reader can understand, while still covering the topic adequately and not coming across as condescending. In fact, the tone is fairly light throughout, reminding me of some of my better college professors who took an almost conversational tone during lectures, with occasional touches of humour. In discussing how genes spread between populations, for example, they drily note, “Sailors and barmaids, like traveling salesmen and farmers’ daughters, have played a crucial role in recent human evolution.”

Let me start by saying this: The Analects of Confucius is a strong contender for the greatest work of non-fiction ever written, and has been the single most influential book on how I think about society and politics. I’ve read seven translations of it (Legge, Waley, Leys, Lau, Pound, Huang, and Chan’s partial translation), some of them multiple times. My knowledge of the Chinese language is only barely non-zero, so I can’t really offer an opinion on which is the most accurate, but in terms of literary style, coherence, and intelligibility to the average Westerner, they’ve all been at least decent. When looking for a Kindle edition of the Analects, I came across Leonard Lyall’s translation from 1909, and since it was free (or at least cheap, I don’t remember) I thought I may as well give it a shot.

Dante begins this short book by telling his audience that he has an unpopular truth to share. “No one has attempted to elucidate it,” he says, “on account of its not leading directly to material gain,” but share it he must, because men are made to seek the truth, and he does not want to be accused by later generations of “hiding [his] talent.” So, he argues that the world ought to be ruled by a single absolute monarch, that the Roman Empire ruled the known world by right (which, presumably, is passed to its successor), and whose power is God-given, though not dependant on the Church.

I imagine all of my readers already know Kon Satoshi, but if you haven’t seen his films (Perfect Blue, Millennium Actress, Tokyo Godfathers, and Paprika) and TV anime (Paranoia Agent), go watch them. Even if you’re not especially interested in anime, they’re excellent and worthwhile for anyone interested in film. Before he started working in animation, though, he did comics, including the unfinished Opus, published late last year by Dark Horse.

One thing many people remember fondly about Nintendo Power magazine was that, besides just straight-up video game news, reviews, and the like, they’d occasionally serialise comics based on one of Nintendo’s popular game franchises. These could easily have been mailed in as cheap promotional material by C-grade artists, but to NP’s credit they were actually genuinely pretty good. I remember a couple of these, but unfortunately they stopped doing this not long after I subscribed, so I missed out on most of them. As far as I’m aware, few or none of these were published elsewhere, so unless you have these now-ancient back issues of a discontinued magazine, there’s no way to own a physical copy of them.

Reading e-books is, for me, an act of desperation. As I’ve written before, I love books as physical objects, and only resort to my Kindle if there’s no other feasible way to read something. So, this is how I read Short Breaks in Mordor, the newest book from Peter Hitchens, published exclusively in digital format.

The sixth volume of Yasuhiko Yoshikazu’s Mobile Suit Gundam: The Origin picks up where the fifth left off with Char and Sayla’s backstory, but this and the seventh volume expand to include other major characters on the Zeon side, as well, going up to the start of events in the main storyline in the first volume. This gives the series an unusual structure where roughly the first four volumes proceed from what now seems to be the middle of the story, then the next three volumes cover the beginning. Now that the backstory has caught up to the beginning of the series, I assume that the eighth volume will jump to where the fourth left off. I’d be interested to know why Yasuhiko decided to structure the story this way; perhaps he wanted to make sure his adaptation began the same way as the original TV anime before going off on a different path, similar to how the first Rebuild of Evangelion film started mostly the same as its predecessor and only made major changes in the second film.

Ever since I first took an interest in history back in middle or high school, I’ve occasionally gone to the local library or bookstore and there confirm something that is, unfortunately, unsurprising: most American’s aren’t interested. A look at the shelves would turn up a few things on Greece or Rome, maybe the Cold War or China, and if you wanted to know about, say, the unification of Italy, you’re totally out of luck.

Though I haven’t played video games with any regularity in several years, there are a few games that I still remember very fondly and even revisit once in a great while. A couple of my favourites are the two fantasy-themed Ogre Battle games, both the Super NES original and its Nintendo 64 sequel. For years, I’ve also owned the two Tactics Ogre spin-off games, but never really played either of them until now, and I’ve just finished the PlayStation port of Tactics Ogre: Let Us Cling Together.