Impressions

As a person who likes Japan, likes literature, and likes what he’s read of the combination of those two, I want to like haiku. However, it’s never really appealed to me. In my experience, five-line tanka are about as short as a poem can be and still feel like it has some substance to it, and even that takes a patient sort of reading to appreciate. I also hadn’t read all that many of them though and didn’t know much about the context in which they were written, so I hoped that reading The Penguin Book of Haiku, with its large sample size accompanied by an extensive introduction and some commentary, would help me to at least appreciate if not enjoy the form.

I first heard of Henry Sumner Maine and his book Popular Government several years ago, back when Neoreaction was a growing, relevant school on the Right. Indeed, Popular Government was reviewed by such NRx stalwarts as Foseti and Radish, both obscure now but highly regarded in their own niche, not long ago in the grand scheme of things, but in internet terms they may as well have been contemporaries of the presocratics.

Not that long ago, around 2015 or so, the Right was drowning in blogs and podcasts, but had no books and no art. Now it seems that every Rightist from the most erudite Reactionary to the simplest shitposter has a book they’d like to sell, whether it be political analysis, a novel, or book of essays. A number of broadly Right-wing publishers have also appeared over the last few years. All of this is, of course, a welcome development, as social media and short-form writing, despite certain strengths, are also limited by being short-lived and lacking space to develop any serious ideas. Today, let’s take a brief look at Cultured Grugs: Dispatches From America in Collapse, a collection of essays by John Chapman (a.k.a. “Borzoi” on social media) and published by one of those independent outfits, Antelope Hill.

Shortly after I began studying Chinese, I thought it would be interesting to check out some Chinese films. I can’t really understand spoken Chinese well yet, so admittedly, any movie would be more for entertainment and a touch of cultural immersion more than a language learning tool. Nonetheless, I decided to give The Road Home a shot recently since it’s well-reviewed and looked like a film my wife might also enjoy, which is rather rare with movies I like.

Last year, many of the books I read had to do with marriage. Now that I’m married, much of my 2021 reading has to do with raising children. The topics vary; most useful are those that are just “this is what you do with a newborn,” that is, how to feed, diaper, take temperatures, that sort of thing. Baby sign language is another interesting topic, as it allows older babies (roughly six months and older) communicate their needs, as well as share observations with family as a bridge to speech. For instance, they can sign that they’re hungry, thirsty, want more, etc., as well as make signs for “dog” or “aeroplane,” among other things.

A couple years ago I did something rather dangerous and reviewed a novel written by an e-friend, Neovictorian’s Sanity. Fortunately, the novel was in fact enjoyable and genuinely interesting. Shortly after publishing Sanity, Neovictorian announced that he was working on a sequel, Reality, and I was, for the first time since high school, looking forward to a new novel by a living author. Amazing! Being swamped by schoolwork and wedding planning kept me from starting and finishing the book until recently, well after its January 2020 release date, but so it goes.

Many Catholics are well familiar with consecration to Mary, especially St. Louis de Montfort’s thirty-three day programme of preparation for consecration. It’s a popular devotion with centuries of history behind it. Much more recent, though, is the concept of consecration to St. Joseph. I only became aware of it when my wife bought me a copy of Fr. Donald Calloway’s book Consecration to St. Joseph: The Wonders of Our Spiritual Father, published just in 2019, for my birthday last year.

It’s October and Halloween is just around the corner, so now’s a perfect time to bring out Tales of Mystery and Imagination. Not the compilation of Edgar Allan Poe stories, though that’s good, too, but the Alan Parsons Project album based on various Poe stories and poems, though most aren’t from that specific collection - only “The Tell-Tale Heart,” “The Cask of Amontillado,” and “The Fall of the House of Usher.”

We’ve talked about Rankin and Bass’s version of The Hobbit, and you can’t talk about The Hobbit without also talking about The Lord of the Rings. Yeah, I know, it’s been three years since that earlier post, but I don’t like to be rushed. So, today we’re going to talk about about Rankin/Bass’s follow-up, The Return of the King.

“Now hold on,” you may be thinking. “That’s the third Lord of the Rings volume. What happened to The Fellowship of the Ring and The Two Towers?” Well, I assume there were some rights issues involved, or perhaps they just didn’t want to retread the ground already covered by Ralph Bakshi’s unfortunate foray into Middle Earth, which was an animated and rotoscoped adaptation of Fellowship and about half of Two Towers and which had come out just two years earlier. To give you the timeline, R/B’s Hobbit was 1977, Bakshi’s LotR was 1978, and R/B’s LotR was 1980. I won’t go in to why things worked out that way; I don’t know and ultimately what matters is the film as we have it.

Last year, we talked about the happy game of mahjong, focusing on how I got into the game and recommending a few resources for others wanting to get started. Today, though, let’s look at the art of the game, that is, the art of the tiles themselves. When people first encounter mahjong, the tiles are, naturally, the first thing they notice and as with Western playing cards there have been many lovely designs over the years by many artists. So, let’s check out the book Mah Jongg: The Art of the Game, by Ann M. Israel and Gregg Swain, with photography by Michael Arnaud.