Note: This is another article first published at Thermidor, on May 24, 2018. I’ve been republishing these in chronological order, but since Sanity is still fairly new I decided to expedite this one.
How does one go about writing a “Right-wing” novel? The wrong way is to emphasise the “Right-wing” part, which transforms the novel into mere propaganda. At best, an ideological novel will succeed only in entertaining the already converted.
Note: This is another old Thermidor post, originally published on May 18, 2017.
Among Greek poets, two stand tall above all the others, Homer and Hesiod. One can easily see Homer’s appeal, with his renowned tales of heroes, war, and adventure, told with great craftsmanship and sublimity. Then you have Hesiod, who surveys the fields, tugs at his overalls, and says, “Good season for crops.”
Well, okay, that’s totally unfair to Hesiod, but the two poets’ themes and subject matter could hardly be more different.
Time for the conclusion of serial experiments lain.
Layer 13: Ego begins with blue static and Lain saying she’s confused again. Well, so are we. Rather than a voice-over we start with a recap of the last part of Layer 12. Alice doesn’t handle it so well, and we’re then shown a screen with the message, “ALL RESET” and on a second line, “Return.” Rewind!
The next few scenes show us what the different characters are up to now, after Lain presumably fixed things by undoing everything Eiri had done.
We’re coming into the home stretch of serial experiments lain. In Layer 12: Landscape, the voice-over returns. “Oh, okay… So that’s how it works. I had no idea the world was this simple. I always thought the world was such a big and scary place, but once you figure it all out, it’s all so easy.” A second voice adds, “See? I told you it would be.” The episode proper opens at school, with Alice gloomily watching Lain gossip with Julie and Reika.
Note: This post was originally published at Thermidor on March 6, 2017, but since it recently shut down I’ve decided to republish my articles here. I plan to post one per week until they’re all back up, with only light editing.
What’s there to say about G. K. Chesterton? He’s a contender for the most-quoted man on the Right; spend some time in any broadly Right-wing community, Conservative, Reactionary, or even just moderate Christian, and it won’t be long before someone quotes one of his famous aphorisms or anecdotes.
On to more serial experiments lain. In Layer 11: Infornography, the opening changes a bit. The title screen is made of up screens from the previous episode, and the voice-over is still missing from the cityscape. Instead, we see Lain being tied up in cables. Much of the episode is essentially a recap, going through the events of the series so far in a fast edited series of clips of previous episodes and a handful of other phrases flashing on the screen, but with the largest portion, especially near the end, focusing on Alice.
One notable thing about the Iliad is that it inspired a huge number of other poets and playwrights to use it as source material for their own works. Some filled in the gaps left by Homer, since he’d only addressed a relatively small part of the Trojan War, while others covered the adventures of the poem’s heroes after the war. The Greeks themselves were the most prolific and successful at this, but the Romans and even modern authors, musicians, and filmmakers have attempted their own additions and adaptations to the epic.
So, I suppose I’ll start with something of a confession: I love Boomer music.
Yeah, I know, as a Reactionary half their age, I’m supposed to despise Der Ewige Boomer, but I can’t help myself. Most of the music I listen to was recorded in the 1960s or ’70s, and though I try to make up for it by mixing in some music either much older than that or a bit newer, my favourites are what they are.
Is it time for our annual visit with St. Robert Bellarmine already? Yes it is, and this time I’d like to talk about a short book of his called The Art of Dying Well.
Now, St. Robert is best known for his apologetical work, like De Laicis and De Romano Pontifice, and I’ve also covered his catechism, which serves a similar purpose for those already in the Church. He wrote The Art of Dying Well, though, near the end of his life, when he’d largely retired from public work, and it’s a much more immediately practical book than the others.
The Spring and Autumn Annals is one of Confucianism’s Five Classics, and like the Book of Documents is a work of history, in this case chronicling the history of the state of Lu, Confucius' home state, from 722-481 B.C. However, whereas the Documents is, as the title indicates, a collection of speeches, decrees, and the like, the Annals is a chronology. It should take just one excerpt to give one an idea of the book, so from the very beginning, the first year of Duke Yin’s reign (722 B.