Literature

Long Thoughts on a Short Verse

The first thing most people notice when they read Ezra Pound’s “In a Station of the Metro” is how amazingly short it is – just two lines, plus a title. By making the work so brief, Pound successfully denies the reader a sense of closure or fulfillment after finishing the poem, which emphasizes the work’s implication of the anonymity and listlessness of the people in the titular metro station. Although Pound certainly could have made the work longer and more developed, the work is ultimately strengthened by denying the reader any development of its central idea.

The Bibliophile's Journal VI

Well, now that I’m mostly moved into a new apartment, I’ve had some more time to read. Part of my newfound free time has gone into resuming my study of Japanese, as well as my usual mix of film and anime, but on the literary front here’s what I’ve been up to:

I finally, finally finished Charles Dickens’s Great Expectations. For the patient reader, the narrator’s frequent asides, long descriptions, and multitude of characters and plot threads can be quite entertaining. I enjoyed them for a couple hundred pages, but as the book dragged on and on I began losing interest. By the halfway point, I really only cared about Pip’s relationship with Estella, and that’s partly because I can identify a little with his feelings in a hopeless, one-sided romance.

Notes on the Didactic Use of Fiction

“Didactic” literature has a poor reputation, in part because of its distinguished critics. J.R.R. Tolkien’s dislike of allegory is well-known, and his friend C.S. Lewis’s Chronicles of Narnia is often compared unfavourably to Tolkien’s Lord of the Rings partly because one is allegorical and one is not. Edgar Allan Poe also criticised explicitly didactic literature, and Lewis Carroll mocked the tendency to look for a “moral” to stories via Wonderland’s Duchess character.

The Bibliophile's Journal V

My reading schedule has collapsed over the last month, due to a new job with longer hours and commute than my old part-time gig, in addition to apartment hunting. It’s been a struggle even to keep up with my anime-viewing, but I do have a few things I’ve finished over the last few weeks.

The biggest project is the fourth and final volume of Sir Winston Churchill’s History of the English-Speaking Peoples, the first volume of which I read roughly a year and a half ago. The books are actually pretty engaging for the most part, so I’m not sure why I let months pass between each volume; too many other options, I suppose.

The Bibliophile's Journal IV

I’ve decided to provisionally make The Bibliophile’s Journal a regular, probably monthly, feature of the blog. My stated purpose with the blog is to share my thoughts on what I read and watch, but with most books I don’t have enough material to justify a dedicated review, but do have a few things to say. This is especially with individual volumes in ongoing series (e.g., Gunslinger Girl this month). Depending on how it goes, I may also just start posting very short, say one- or two-paragraph posts on everything I read.

On Surrounding Oneself with Books

I’ve occasionally mentioned, here and on Twitter, that I love books - not just reading, but the actual, physical objects, and try to surround myself with them. That “surrounding” is, in fact, literal since I don’t have much space in my room, and I long ago ran out of shelf space and have to stack new volumes on the floor. It’s something like stuffing the Library of Alexandria into a broom closet, or Yomiko’s room from R.O.D.

The Bibliophile's Journal III

As far as reading goes, the big event of the past couple months is that I have a Kindle Fire HD now. I owned and had mixed feelings about the Kindle 2, but since this one is basically a tablet I’ve been getting more use out of it. I’m still not a fan of e-books, but it is a decent way to conveniently get things that would be difficult otherwise (like French-language books), or things available for free online but that are too long to read comfortably at a computer, like the Vatican’s online library of papal encyclicals.

A Touch of Spice & Wolf

Spice & Wolf is a series that I’ve wanted to write about for a long time, but I’ve struggled with actually putting pen to paper for it. It’s like the Haruhi series in that it’s charming and competently written, but lacks the subtlety and complexity that make for a great, re-readable novel series.

Spice & Wolf’s basic premise is that Lawrence, a traveling merchant in a world loosely based on late Medieval or Renaissance Europe, meets Holo, a wolf-spirit and harvest goddess in a village he does business in, and agrees to help her return to her homeland of Yoitsu, far in the north. The overall plot is a promising one, but author Hasekura Isuna has also set up a potentially major story-writing problem, because one of our protagonists is an almost literal deus ex machina.

A Birthday Reflection on Ezra Pound

As you may have guessed from the length of my last post, I admire Ezra Pound.

I’ve found, though, that I’m one of a relative few. His poetry seems to be a love-it-or-hate-it affair, and I can certainly understand those who don’t care for him. Much of his poetry is difficult, his references obscure, and his politics generally right-wing but eclectic enough mostly to just throw people off, except that he vocally supported Benito Mussolini, and even those critics who appreciate, say, T.S. Eliot’s conservatism will draw a line at that.

The Bibliophile's Journal

It’s been a while since I’ve done a round-up post, but I’ve of course continued to read quite a bit. Here’s the highlight reel.

The Fellowship of the Ring by JRR Tolkien - I’ve been meaning to re-read The Lord of the Rings, since I haven’t read it since shortly before the film trilogy came out ten years ago. I tend to approach long books reluctantly, though, so it’s taken me a long time to get around to it. I’m about 2/3 through, though, and loving it. Tolkien does a fine job easing the reader into the world of Middle Earth, avoiding long infodumps by giving the reader just enough information to make each place feel real, and incorporating explanations into dialogue whenever possible. The hobbits work well as our innocents abroad. He also walks a fine line in his prose style, which is generally straightforward but not too plain.