If you’re wondering how I managed to write up another post on Plato’s dialogues so quickly after the last one, the answer is that this is Menexenus, which is both very short (twelve pages in the Bollingen Series edition), and because it’s not quite like Plato’s other work. It begins with Socrates meeting an acquaintance, Menexenus, who is on his way back from the Agora. There is to be a public funeral soon, so a speaker must be chosen for the occasion.
Last month we talked about Homer, so it’s good timing that Plato is now giving us a chance to talk to Homer’s greatest interpreter, Ion. Who’s Ion? He’s a rhapsode and Socrates’ interlocutor in his shortest dialogue called, well, Ion. We know he’s the greatest because he says so himself, after telling Socrates about winning a contest in Epidaurus:
I judge that I, of all men, have the finest things to say on Homer, that neither Metrodorus of Lampsacus, nor Stesimbrotus of Thasos, nor Glaucon, nor anyone else who ever lived, had so many reflections, or such fine ones, to present on Homer as have I.
Hey, remember this series? Honestly, I’m rather proud of having kept up this web log on a regular schedule despite starting graduate school and working a full-time job. Unfortunately, though doing fairly short posts isn’t too hard, a series that demands more attention like Plato’s dialogues is significantly more difficult. I read Cratylus about a month ago. I barely remember what it’s about at this point. I’m not 100% sure who Plato is.
Since I’m among the brave few who dislike the Symposium, I was a little disappointed at first that most of Phaedrus covers the same subject, love. However, it also covers a couple other things that I find much more interesting, and it’s also back to having just one interlocutor for Socrates. Rather than the more-or-less hostile exchanges that characterised the dialogues with the Sophists, though, this conversation is much more amiable, similar to some of the earlier dialogues like Lysis and Laches.
Crito’s attempt to save Socrates has failed, so now we’ll go back and begin working through Plato’s dialogues from earlier in his life. First up are some discussions with various sophists, beginning with Protagoras.
This dialogue begins with a somewhat odd framing device; a friend meets Socrates walking through the city, and learns that he’s just come from speaking with Protagoras, who has recently arrived in Athens to work as a teacher.
When we last left Socrates, he had just finished an unproductive discussion with Euthyphro, and was on his way to court to face charges of corrupting the youth of Athens. Socrates’ Defense, also commonly called the Apology, is not a dialogue, aside from a few lines, but a speech given by Socrates in answer to his accusers’ charges against him. This is the first time so far that Socrates speaks mostly of himself, and my understanding is that it’s the only time he does so at much length.
So, we’ve made it to one of Plato’s most famous dialogues, Euthyphro. Socrates is on his way to court, having been charged with corrupting the youth of Athens, when he meets a young man, Euthyphro, who is there to charge his father with murder. The primary question here is how to define piety, but with a theme throughout the dialogue of intellectual humility, even more so than in the other works so far.
My trip through the Classics so far was, to a large extent, a preparation for the works of Plato. I’ll work my way through The Collected Dialogues, edited by Edith Hamilton and Huntington Cairns, a few dialogues at a time, and posting about them as I go.
Now, one choice I had to make at the outset was what order to read these in. There is no one perfect method, it seems, but in a project like this I like to have some plan going in.
Last year, I read G.K. Chesterton’s book Heretics, and just got around to reading the follow-up, Orthodoxy. The earlier volume focuses on criticising modern ideas, essentially “bursting the bubbles of ‘clever sillies,’” as I put it in my last review. Here, he attempts to state his own philosophy in positive terms, and most of the book goes through various ideas that lead him to become a Christian. This isn’t in the form of a Catechism or series of logical proofs like the Summa Theologica or De Romano Pontifice, though.
Dan Carlin, in an episode of his Hardcore History podcast, called history from Herodotus onward the “colour era” of history, compared to the “black and white” era before Herodotus. The difference comes down to one of style - ancient histories were often little more than chronologies, with some propagandizing, but had relatively little characterisation or storytelling. From Herodotus onward, though, historians began treating their subjects in a more narrative style, which makes their subjects feel more “alive” to the audience.